Word: plot
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...Enter Sydney Fife (Segel), a large, louche fellow with no discernable means of income but with a self-confidence that Peter is on the way to understanding he totally lacks. For purposes of plot, this odd couple clicks, and they start hanging out together at Sidney's Pacific pad. It's essentially a learning experience, Sydney serving as Henry Higgins to Peter's Eliza Doolittle. While Sydney strolls down the Malibu promenade refusing to clean up his dog's fresh turds, Peter confesses that his favorite movie is the girlie drama Chocolat and that, when he masturbates, his erotic inspiration...
...year after he punched his fifth grade art teacher. He has no friends. In truth, it’s hard for him to communicate with people at all. When vandalism strikes the local retirement home, Genie’s grandmother hires him for his first paying detective case. The plot is the stuff of a children’s chapter book, but “Huge” is nothing of the sort. For one, there’s something undeniably dark at work in Genie’s family dynamic. Genie’s older sister, Neecey, torments...
...enough unintentional racism in 86 minutes to keep Al Sharpton busy for the next century. First-time director Mark Brokaw aspires to contribute to an intelligent dialogue about race, but ends up creating a misguided After School Special. Despite its pedagogical goals, the ridiculous dialogue, shallow characters, and uninteresting plot prevent the film from raising any fruitful questions.The movie is based on the acclaimed play of the same name and was written for the screen by the original playwright, Rebecca Gilman. The play was named one of the best productions of 1999 by Time, but the exasperatingly clich?...
...films work. Big Beach may be a one-trick pony, but the trick is excellent; the mix of quirky personalities, preposterous situations, biting sarcasm, and slapstick is every bit as effective as it was three years ago. The difference here is the increasingly somber tone of the plot. The “Little Miss Sunshine” pageant threatened a young girl’s self-image, but these characters’ decisions affect their entire futures. “Sunshine Cleaning” evokes less laughs and perhaps more reflection than its counterpart, but the somber moments are more...
...touch of tattered grace in a plebeian revival of Streetcar. And though Londoners shouldn't have been surprised by the way Richardson could wrap an audience in her spell, she was a revelation in Trevor Nunn's take on Ibsen's Lady from the Sea. The plot is high harlequin: a dark and stormy night, a chronically sensitive young wife aching for a strong rogue to free her from the marital cage. But Richardson let star quality shine through, with a grandeur audiences had been hoping for since her youth. Virtually channeling her mother, she had all the intensity...