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...anticipation sank with the opening credits: "Mickey Rourke, Marisa Tomei, Evan Rachel Wood." That list spelled out the plot: damaged veteran, middle-age girlfriend, young daughter. The Wrestler never rose above fight-movie bromides, never dispelled my gloom. The character stereotyping makes Sylvester Stallone's Rocky Balboa, by comparison, seem as swathed in moral ambiguity as Luchino Visconti's Rocco and His Brothers. The movie's serioso sentimentality is doubly strange since the script is by Robert Siegel, an ex-staffer of The Onion and co-writer of The Onion Movie. His old job was puncturing clichés; here...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback Fight | 12/15/2008 | See Source »

...voice is spot-on but his presence and appearance just don’t fit the character of Muddy Water’s archrival. The musicianship throughout is remarkable: the actors stepped into their roles seamlessly and even recorded their own voices for the soundtrack. The plot, while simple and slightly larger than life, is nevertheless entertaining and encompasses everything from love, lust, and racial angst to a great take on the blues and its road to popularity. The movie gives true meaning and foundation to the classic cliché of sex, drugs, and rock...

Author: By Will L. Fletcher, CONTRIBUTING WRITER | Title: Cadillac Records | 12/12/2008 | See Source »

...most familiar to us is the most successful. It’s the utter defiance of this convention that makes Frank Langella’s portrayal of Richard Nixon so wholly fascinating, and by extension, makes “Frost/Nixon” a mesmerizing film to behold.The plot, inspired by true events and adapted for the screen by Peter Morgan from his Tony Award-winning stage play, is encapsulated within its title. “Frost/Nixon” tells the story of David Frost (Michael Sheen), a British comedian, who sets out to interview disgraced ex-President Richard...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: Frost/Nixon | 12/12/2008 | See Source »

...director Randall Miller aspires to Tarantino-esque flights of humor and violence, his film fails to strike the proper absurdist tone. In more capable hands “Nobel Son” may have become a quirky classic. Instead, hindered by a troubling vision of morality and an underdeveloped plot, it emerges as little more than a jumbled mess...

Author: By Evan T. R. Rosenman, CONTRIBUTING WRITER | Title: Nobel Son | 12/12/2008 | See Source »

...dark and at one point plays flashlights across the audience to replicate the effect of blinding searchlights. Another act focuses on a college professor who has experienced the trauma of a series of car accidents, while the third imagines a dystopian future. Though each has a different setting and plot, they are all connected by a common cast. Despite the distinct qualities of the characters in the different pieces, Bohrer found that some cast members suited themselves to similar roles in all three. Bohrer’s acting experience informed his approach to writing. “I wanted...

Author: By R. DEREK Wetzel, CONTRIBUTING WRITER | Title: Truth Can Be 'Slippery' Onstage | 12/12/2008 | See Source »

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