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...yeah, in all of the silly commotion, Don Cheadle makes a cameo appearance which certainly constitutes the throwaway performance of the year. With no purpose other than plot device (unless we are supposed to be paying attention to his astute social commentary), his character, island kingpin Henri, is conveniently made an American to guarantee that there will be no fancy “acting” in this movie. The sad truth is you would be better served catching up on some sleep than finding out what happens in this mind-numbing...

Author: NO WRITER ATTRIBUTED | Title: Film Reviews | 11/12/2004 | See Source »

...redemption of a long-estranged parent is hardly a novel plot in contemporary cinema; it has congealed to the point where every hug, tear and clumsy montage seem carefully choreographed. Refreshingly, Around the Bend, reveals an organic push and pull that approaches the mostly shapeless narrative of real relationships that is only reinforced by the subtle performances of screen legends Christopher Walken and Sir Michael Caine...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

...Forgotten has the makings of an intelligent paranoid thriller, but I found nothing spectacular or terrifying in it, only government agents scrambling to hide a conspiracy and scrambled plot lines trying to hide a lack of creativity, despite the guarantee a seemingly competent cast should offer. Julianne Moore’s Telly Paretta is a likeable everywoman. Her therapist (Gary Sinise), is appropriately authoritar ian, while her husband (ER’s Anthony Edwards) appears to be phoning in his support from another planet. They are too hampered by the product they’ve been asked to deliver...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

...group, Aaron (Shane Carruth) and Abe (David Sullivan), decide to probe what potential their creation might have: They explore the commercial possibilities of time-travel for a few hours each day, encounter dreadful mishaps in a Scooby Doo-esque fashion and finally, things end quite badly, with the audience, plot and characters in a state of sheer confusion. If Carruth proves anything with his film, it is that sci-fi movies dealing with the tenuous nature of the time-continuum need Christopher Lloyd...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

...arm…the idea that a husband and wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

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