Word: plot
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
More ambitious both literarily and graphically, "Dumped" makes for the better read. It takes "Slow News Day" almost three times as long to cover the same emotional ground. Contrived plot points seem to be Watson's sticky wicket. The sudden sale of Katherine's hokey-sounding screenplay, forcing her to leave the paper, seems as unlikely as her not knowing the word "queue." "Dumped" likewise has some unbelievable circumstances, but they're at the service of a more ambitious statement so you forgive them. Among other things the book examines the importance of material objects in our lives - a smashed...
...writing comix about how relationships evolve Andi Watson defies expectations. (The least of these is that he is not a woman.) He uses an art form associated with fast-paced, plot-heavy, male-centric fantasy to tell naturalistic stories of love and loss. Both "Slow News Day" and "Dumped" have a soft, subtle pleasure in their stories of the things that really matter. While "Spider-Man" may be the comic character of the moment, his extraordinary powers would be laughably useless in Watson's world...
...Alternating chapters, the two voices come at the plot from both ends at once, Foer moving forward in time through Trachimbrod's history and Perchov searching backward for traces of it. They also share themes: the maddening bonds of family, the power of memory and the importance of lies and jokes. "I present not-truths in order to protect you," Perchov tells his charge. "That is also why I try so inflexibly to be a funny person." The two stories collide when the searchers stumble on Trachimbrod's last surviving inhabitant, who tells the horrifying secret of how the dreamy...
What is lost in this reshuffling of the musical’s center is fascination with Todd’s journey, which still remains the center of the plot. Rather than enjoying the ironic beauty of “Pretty Women,” we wonder why Todd takes so long to swoop in for the kill. With an unchanging Todd, the plot’s development seems as mechanical as the production’s impressive...
Alternating chapters, the two voices come at the plot from both ends at once, Foer moving forward in time through Trachimbrod's history and Perchov searching backward for traces of it. They also share themes: the maddening bonds of family, the power of memory and the importance of lies and jokes. "I present not-truths in order to protect you," Perchov tells his charge. "That is also why I try so inflexibly to be a funny person." The two stories collide when the searchers stumble on Trachimbrod's last surviving inhabitant, who tells the horrifying secret of how the dreamy...