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...suspicious of such a passive appreciation of words. In one of his early short stories, a character in a detective novel murders his reader as he sits quietly in a green velvet armchair flipping the pages. In “Hopscotch,” the pleasures of a linear plot are mocked in a substantial third section subtitled “Expendable Chapters,” the literary equivalent of a DVD bonus disc. This segment features additional scenes, stream-of-consciousness monologues, an eclectic collection of quotations, a list of acknowledgements (including everyone from Jelly Roll Morton to Gilgamesh...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Cortázar’s Playful Magnum Opus | 9/4/2009 | See Source »

...strange insectoid aliens, but this achievement is often clouded by Blomkamp’s willingness to use his creations as gory decoration. Similarly, those who see “District 9” for the violent, hedonistic ride will occasionally be put off by how heavy the plot can get as Blomkamp expounds on the limits and contradictions of human compassion. The aliens are the film’s greatest accomplishment, equal parts pitiable and repulsive. While they are horribly mistreated, their behavior often seems to deserve nothing better. It is here that the film truly makes its point. Despite...

Author: By Jack G. Clayton, CONTRIBUTING WRITER | Title: District 9 | 9/4/2009 | See Source »

...indeed at times debatable, but its numerous merits are not. The eponymous Nazi hunters (led by Lt. Aldo Raine, played by the excellent Brad Pitt) provide much of the film’s entertainment value but are not its most interesting feature. The most remarkable strand of the plot follows the unnervingly charming SS Colonel Hans Landa (Christoph Waltz) in his quest to hunt down the Jews of France. The opening scene of the movie consists of little more than a 15-minute long conversation between Landa and a French dairy farmer, Perrier LaPadite. Slowly and inevitably, Landa breaks down...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Inglorious Basterds | 9/4/2009 | See Source »

...Assassination of Jesse James by the Coward Robert Ford,” “28 Weeks Later”) leads the film’s fictionalized diffusing team with a stunning performance as Sergeant First Class William James, a bomb-man with a death wish. The plot, essentially composed of almost journalistic vignettes, traces the ups and downs of everyday soldier life. Even the most banal serves as a suspenseful contrast to ticking bombs and explosions. When James confuses a dead boy’s bomb-strapped body for the young Iraqi kid he’d befriended...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The Hurt Locker | 9/4/2009 | See Source »

...stained-glass lighting within the arched-ceiling architecture is not enough to put the fear of God into trespassers, the not-so-subtle security will keep them away. That has been a feature of the mausoleum long before its latest celebrity client. Family members and plot holders must pass through guards or security camera-manned doors in order to visit loved ones in the structure. Curious wandering is forbidden. Roger Sinclair, 77, a historian of cemeteries who has bought a plot for himself in the Great Mausoleum, was not made to feel welcome, even as a future occupant. Says Sinclair...

Author: /time Magazine | Title: Picking Jackson's Burial Place: Security Was Key | 9/3/2009 | See Source »

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