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...much in a Russia growing prosperous off its abundant oil and natural gas reserves. But while Moscow puts post-Soviet poverty behind it, the residents of Sakhalin are experiencing the energy boom in a manner familiar to many citizens of oil-rich nations. "I'm a native," says Vasili Plotnikov, a pensioner who owns a tiny country shack just a few miles from the massive LNG terminal. "I don't see any plus. I only see negatives." Maybe Chekhov's hell wasn't so bad, after...

Author: /time Magazine | Title: Hell Frozen Over is Red Hot Again | 8/14/2007 | See Source »

From the back row of red velvet chairs, the stage looks enormous. If O’Leary was pirouetting with Viktor Plotnikov and Larissa Ponomarenko of the Boston Ballet, she’d be in front of an audience of 3,700 with a 60-piece orchestra playing the strains of the “Nutcracker Suite.” Today, she will tread the boards to take in the entire 4,800 square feet of performance space solo...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: I Wish . . . Part II | 6/4/2003 | See Source »

...staged snow scene, Larissa Ponamarenko was absolute perfection as the Snow Queen: the slenderness of her arms and legs captured the delicate, precise angles of a snowflake in midair, while her flawless technique and feather-light jumps evoked the quality of snow melting as it hits the ground. Victor Plotnikov, as the Snow King, was a worthy partner, strong both technically and artistically, while the choreography of the snowflakes created the impression of swirling, wind-blown snow as the dancers turned and glided, leaving patterns in the snow onstage...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Boston Ballet's 'Nutcracker' a Feast for the Eyes | 12/12/1997 | See Source »

Daniel Pelzig's choreography, which blissfully wove both graceful elegance and gutsy heart, was also a perfect compliment to Lovett's soulful and catchy music. The entire company glided and twirled across the stage with nothing short of perfection, but Pollyana Ribeiro and Viktor Plotnikov, in particular, captured the audience's gaze and adoration. Their enormous ranges of talent--from suave sophistication to "get-down" showiness and from poignant emotion to joyful enthusiasm--was a delight to behold...

Author: NO WRITER ATTRIBUTED | Title: LEARNING TO LOVETT | 4/4/1996 | See Source »

...ballet laboriously tells of the Prince's (Viktor Plotnikov) search for a true Princess and his test of an unkempt but overly sensitive girl (Natasha Akhmanova) who feels a pea hidden under twenty matrresses...

Author: By Marc R. Talusan, | Title: Happily Ever After: Dances & Fairytales | 10/26/1995 | See Source »

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