Word: plots
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...contradiction: in order to feel as if they're really interacting, players have to believe they can truly go anywhere and do anything in Liberty City. At the same time, in order for a story to get told, they must be gently but firmly stage-directed through the plot. "You've got this beautiful 3-D world that lives," Houser says, "and it's got all these background characters and its own Internet service and its own TV shows and all these other things that you can go and do and have wash over you. And you've got this...
...rampage were of Pakistani origin. Although investigators in Islamabad had previously confirmed that the lone surviving gunman (in Indian custody) is Pakistani, they had repeatedly denied that the others were from their country. The report, which was expected to be made public by Feb. 13, also says the plot was hatched via the Internet in Dubai and an unnamed European country...
...well as her seductive ones; and the dynamic between Jennifer Aniston and Ben Affleck—a couple who’ve cohabitated for seven years—is more believable than we see in most comedies. The characters are all loosely connected to each other, and the plots weave in and out rapidly throughout the film. This can be distracting, but it also amplifies the surprise during some of even the most predictable plot points. What “He’s Just Not That Into You” does best is preserve and enrich the various voices...
...getting old. Weathered and physically beaten, shot in the eye by one of the robbers, he gives his history; in doing so, he claims his identity, never asking the audience for their sympathy, only for their understanding.Naturally, Van Damme also does what he does best: kicks some ass. The plot of the movie takes a backseat to its biographical exploration, but it still helps to advance Van Damme’s character and dissect the fame that is slowly slipping away from him. The film opens with Van Damme in mid-scene on the set of a low budget action...
...crowded on the hill in front of the Washington Monument—we had enough space to sit down—but all the same, there were a lot of people and not much to distinguish one crowd of bundled-up onlookers from another. So I left our comfortable plot and headed toward the portables. We ended up five feet from the portables, but there was no way we were getting to them. Elevated flower beds, chain-rope fences denoting what-were-usually-walkways, and the placement of the facilites in question, had transformed the field into a corral. People...