Word: plots
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...between, he lived up to his middle name, ‘Zulfikar,’ the clashing of two swords.” Like many of the writers of the emergent “hysterical realism” movement, Smith sets her agenda in character dynamics rather than plot. Dialogue explicates characterization well beyond the ability of any narrative description, and Smith’s skill with dialects provides comic relief through amusing background characters. With their delight in vulgar-language, even in salutation, two ancient and impossibly rude Jamaicans, Denzel and Clarence, steal every scene they?...
...genetically engineered mouse with something to prove, whether in protestation or celebration. By putting them together to duke it out, Smith purposefully offers a chance for redemption and closure unavailable in real life. This conclusion is an unsatisfying end, but the point of the book is not the plot. Her rich, realistic portrayal of the characters and their view of London make “White Teeth” a book worth reading...
This exchange, though brief, aptly summarizes the overall experience of watching this film. It begins with high hopes for artistry and authority, makes plodding steps toward achieving these goals, and remains largely unsuccessful. The audience patiently grants the film time to develop, but instead of maturing, the plot slowly abandons its attempts at greatness and withers. The film succeeds in its early attempts to satirize the modern art world, but soon grows convoluted and unnecessarily dark, much like 2006’s indie house failure “Art School Confidential...
Imagine a play. Any play. Now remove the following elements: plot, character, setting, context. What remains is “Attempts on Her Life,” the play by Martin Crimp that opens tonight and runs until November 21 in the Loeb Experimental Theater...
...don’t think the play suffers at all from not having a plot, because there’s still a sense of continuity to it,” muses Stone. “Tonally, Crimp writes with such a strong voice that that alone could tie together the whole piece... so there is a sense of continuity and structure throughout the whole thing, and it remains engaging the whole way through...It’s not a play that is interested in story in a traditional sense, but it’s definitely a play that is interested...