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...Surrendered,” such a plight of insatiable need afflicts Hector Brennan and June Singer, war survivors whose lives are unwillingly but unavoidably entwined by the aftermath of the Korean War. Fundamentally a contemporary war novel, “The Surrendered” derives its plot from a scrutiny of the most basic of human experiences—love and conflict. Though beleaguered with a requisite love triangle and sometimes seized by paroxysms of sentiment, the novel is a paradigm of narrative layering—a finely crafted story that revels in stripping away an illusory front of beauty...
Lee’s hypnotic, poetic writing poses a stark contrast to the horrifying revelations that creep within the plot of “The Surrendered.” His serpentine prose constantly obscures the crime to be committed next, but his treatment of violence is more invested in details than gratuity, so when they occur—abruptly, though not necessarily unpredictably—they serve to emphasize the remote helplessness of the victim. In Manchuria, the Japanese cut off the eyelids of one of Sylvie’s companions in order to force him watch her be raped...
...Chan and Chris Tucker together in “Rush Hour” or Martin Lawrence in “Blue Streak,” “National Security,” or “Bad Boys,” the normally-funny dynamics of characters and plot lend themselves to successful films. With hysterical love/hate relationships between the partners, the usually high-paced and unrealistic save-the-world plots, goofy slip-ups, and ass-kicking repartee, the genre has always offered a lot to audiences. But “Cop Out” surely gives the genre...
...titled “A Couple of Dicks,” which would have been appropriate in its own right. The entire hour and a half movie represents the “dicking around” of Bruce Willis and Tracy Morgan in a pointless, time-wasting plot with their accompanying Z-list acting performances...
...Would you say that the plot of this film is secondary to the character development...