Word: plotting
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Dates: during 1920-1929
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...Gorilla is one of those productions which are offered with the request that the circumstances of the plot remain undivulged. Since the plot is the picture, there remains little to be said; except that an enormous artificial animal in the title role makes it very exciting for the rest of the cast and the entire audience...
...story is fabricated around the fabulous adventures of Barbara Frietchie, who falls in love with Captain Trumbull, a "damn Yankee." For the purposes of the plot Barbara is transformed from the elderly dame of "shoot if you must this old gray head" fame to a winsome flaxen-haired flower of the South. Needless to say, her father opposes the marriage, sah, in which opinion he is supported by all the lads and lassies of the town who vilify Barbara as traitor, overlooking the fact that among their number are many able bodies young fellows who spend their time lounging around...
...perfect musical comedy. They may come bigger, but they don't come better than "Peggy Ann." The Fields-Rogers-Hart combination was responsible for the book and score; Helen Ford and Lulu McConnell, aided by a clever cast and a slim and agile chorus, romp through the zany-like plot; and the audience has a simply swell time the entire evening...
...ever so long. Usually they deal with morganatic marriages, often with a princeling in love with a U. S. maiden rich enough to make it a J. P. Morganatic marriage. But not this time. There is a girl, to be sure. She is practically seduced, to start the plot. And by the prince, too, who is promptly murdered. The rest of the play is a detective story with Lionel Atwill as the detective in gold lace. Mr. Atwill strutted a good deal...
...Author of A Passage to India, and other less famed but meritorious novels, E. M. Forster gave a series of lectures at Cambridge. In these lectures, now published, he traces, weighs, values, explains in original fashion, the elements of the novel. These elements: "The Story," "The People," "The Plot," "Fantasy," "Prophecy," "Pattern and Rhythm," he exhibits in many examples. For "Story," he quotes and examines Walter Scott, for "Plot," Andre Gide. The result is a book devoted to the highest form of criticism, inquiry. To those who read novels as they watch magicians, longing for mystification, it will be merely...