Word: plotting
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Dates: during 1930-1939
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Little Tough Guy (Universal) clucks its tongue sympathetically over the bitterness of a boy whose father has been convicted of murder for killing a man while helping a picket line repulse an assault by strikebreakers. But hopelessly quartered and drawn by the tugging of four wayward plot trends, it is less notable as a contribution to cinema than it is for expressing a viewpoint cinema has seldom before ventured-that there is something wrong about strikebreaking...
...been given its Metropolitan premiere. In the opera a necrophilic heroine disrobed before her gloating, drunken stepfather, demanding as the price of her strip tease the head of an imprisoned prophet. To the severed head, duly served up on a platter, she made more or less violent love. The plot was Oscar Wilde's, but the opera's composer had italicized its gruesomeness with uncanny naturalism. For sheer horror nothing like it had ever been witnessed on the austere Metropolitan's stage. When the performance was over, pale, gibbering bluenoses fumed with indignation. After a dress rehearsal...
...officials despaired of determining just what had happened. But in the Northern Pacific offices at Philadelphia, 2,000 miles away, there had lain for weeks a document containing a fantastically possible answer: two typewritten pages reporting a conversation overheard on the Camden-Philadelphia ferry. Three men had been furtively plotting. Their plot: to blow up a Northern Pacific locomotive...
Scoop, his latest, is Caldwell in character, Wodehouse in plot. Mrs. Algernon Stitch, to help her novelist friend. John Boot, sang his praises, asked powerful, shirt-stuffed Publisher Lord Copper why he did not send Boot to cover the war in Ishmaelia. Lord Copper had never heard of Boot, did not want to admit it, told his foreign editor to get Boot at all costs. The editor made a natural mistake. He shipped William Boot, a quiet, untraveled, eccentric nature columnist on Lord Copper's newspaper, to Ishmaelia. There the wrong Boot found many correspondents...
...characterization of a 15-year-old girl, especially notable in view of the books by Author Stuart that have preceded it. He won critical acclaim with The Colored Dome and Pigeon Irish-imaginative, poetical, mystical novels in which metaphors skyrocketed and prose flickered so brightly that characters and plot were hard to make out. Julie is plain as an old shoe. For Author Stuart describes Julie's conquering of her fear of the world as a slow process, almost imperceptible, taking place principally when she is unaware...