Word: plotting
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Dates: during 1930-1939
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Skeptical Hollywood, that had wondered whether a fairy story could have enough suspense to hold an audience through seven reels, and whether, even if the plot held up, an audience would care about the fate of characters who were just drawings, was convinced that Walt Disney had done it again. Snow White is as exciting as a Western, as funny as a haywire comedy. It combines the classic idiom of folklore drama with rollicking comic-strip humor. A combination of Hollywood, the Grimm Brothers, and the sad, searching fantasy of universal childhood, it is an authentic masterpiece, to be shown...
...Paris instead. Up from the pampas come Emissary James Guthrie (Melvyn Douglas) and his stooge, "Pancho" Brown (Stuart Erwin), who lay siege to Elsa with flowers, gifts, attentions. When Elsa discovers what seems to be a ring of cold business in Guthrie's honeydew phrases. the plot bears to the left, but the clairvoyant audience knows it will come right again...
...plot centers around a young man who has been brought up in seclusion by his eugenically-minded grandmother (May Robson) in the vain hope that he will attain perfection. Miss Robson is thwarted in this by Joan Blondell, who drags the specimen into a strange world we finally deduced to be Hollywood...
...cast kidded this plot the effect would have been tragic, but they play it straight, with frequently hilarious results. In Negro theatres it will be a conventional Western, and it can play the artier white houses as a parody. Best parts of the picture are the tunes, Harlem on the Prairie and Romance in the Rain, written by a white man, Lew Porter. Now and then the harmonizing of The Four Tones in Albuquerque or Jeffries' big baritone going to town with The Old Folks at Home shows how good a colored musical film might...
...advance reports, last-minute cast trouble, and fears that Ed Wynn had been so bad on the radio that he would keep a theatre audience away, Hooray For What! proved to be an ingratiating show, with Comic Wynn just as funny as he used to be. Sometimes the plot shuffled dully between old-fashioned musicomedy and pretentious satire, but it ceases to matter when Ed Wynn comes on. wringing his hands as if he thought man would be better off without them. Like Chaplin, he has always been a little fellow, lost in an insane world of slickers. In that...