Word: plotting
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...plot, about all Father had was Mother's determination to get Father baptized. Mother turns on nothing more momentous-simply Mother's determination to get a 22-year-overdue engagement ring; but it somehow seems much more cooked up. For Father had soured on engagement rings through being engaged before, and his old love plays a rather comic-strip role in the new play. Life With Mother also gains in interest rather than value through Cousin Cora's marriage and Clarence Jr.'s short-lived engagement to the girl next door...
...Midwest's ill-famed Shelton brothers. On their part, brothers Carl, Bernie and Earl Shelton, who had terrorized southern Illinois before "retiring" as gentlemen farmers on bootleg and slot-machine fortunes, had a soft spot for the Post-Dispatch. It had once found out about a frame-up plot against them in 1926, and they never forgot it. That was fine with the Post-Dispatch. It suspected a tie-up between gambling interests and Illinois Governor Dwight Green's G.O.P. machine just across the Mississippi, and hoped the Sheltons would help prove...
...Century Scotland of this movie is a rough, barbaric country with a castle jutting out of the sharp rock; hard-eyed horsemen gallop like wild west villains across the foggy landscape; the wide palace courtyard is full of mud puddles and pigs. Welles has thus succeeded in surrounding the plot with an atmosphere that makes all the crude violence believable; photographically, this mood is sustained. Dramatically, it is often violated, both by transpositions of text and by some of the performances...
...taming of these once adventurous spirits is mildly depressing to watch. When the plot borders on the dreary, Director George Sidney and Scenarist Robert Ardrey brighten things up with more shots of Dancer Kelly's graceful gymnastics. Since the musketeers never fight at odds of less than 20 to 1 (against them, of course) they have an uphill job unraveling the intrigues of the Queen of France (Angela Lansbury), the Duke of Buckingham (John Sutton) and the unctuous Richelieu (Vincent Price...
...When the plot of A Song* is serving only as a link between jam sessions, it is useful and quietly inoffensive. When it brims over into outlandish muggajuggery about gangsters, a torch singer (Virginia Mayo) and a crew of antiquated musicologists, the yarn gets in the way of the hot licks. The plottiness dooms Kaye to the role of master of ceremonies. He handles his interludes adroitly, but some are overlong. And a hep cat can't wait...