Word: plotting
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Dates: during 1950-1959
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...faced with dissidents in his own Cabinet, Khalil could see governmental control slipping to his pro-Nasser rival, Ismail el Azhari, who recently predicted for Khalil "the fate of Nuri as-Said," the murdered Premier of Iraq. The fate of Nuri is also what provoked Abboud to prepare his plot. He got set for his coup while Ismail was conferring in Cairo with Nasser. Khalil could depend on the army, since he personally conducted a purge in 1956. when every officer was "scrutinized for his political views." More important. Abboud's second-in-command. Major General Ahmed Abdel Wahab...
...circulating through the Middle East that Russian promises had succeeded in lining up the votes of eight of the twelve attending archbishops-who are responsible for electing one of three candidates nominated by a council of religious and lay delegates. The Communists also circulated reports of an American imperialist plot to take over the patriarchate with Archbishop Antony Bashir of New York (a U.S. citizen born in Lebanon). The Reds played their final cards two days before the election, when a representative of the Patriarch of Moscow donated some $8,000 to "victims of the Lebanese revolution...
...usual in Tati's pictures, there is really no plot. On the one side, Tati lines up the protagonists of the gadget: a manufacturer of plastics, whose pride and joy is the cubistic chateau in which he spatially participates with a severely functional, ever-scrubbing wife, a discontented son who is obviously a round peg in a square hole, and a free-form dachshund. On the other side, Tati ranges the proponents of the casual life: Hulot himself, an awesomely inefficient employee of the department of sanitation, a big fat slob who sells vegetables from the back...
...secrets in O'Hara's novels, and the pages of Terrace are crammed with knowing sinnuendo. But O'Hara seems to make a more serious effort in this novel than he did in either A Rage to Live or Ten North Frederick to subordinate sex to plot rather than plot...
Such a description of the plot makes it sound melodramatic, which it is. The unlikelieness of her meeting the sergeant again, and the often unrealistic tenor of the dialogue, in which peasant women tend to talk in profound concepts of duty, etc., when isolated seem corny. But the situation can hold the actors in such a tension of dramatic excellence, and the film as a visual whole exerts such a physical impact, that the inherent melodrama and sentimentality blur into unimportance...