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Word: plotting (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Before going on, I should note that the soundtrack apparently has huge spoilers in the track listing; that is, the titles of the tracks give away key parts of the plot. I say apparently because I have avoided them assiduously, and listing them here would only, of course, tempt the reader to spoil it for him/herself as well. So while I will discuss the few pieces that won't give anything away (such as "Anakin's Theme"), you'll have to buy the soundtrack (or glance at the back in Newbury Comics) to find out what the rest...

Author: By Jason F. C. clarke, CONTRIBUTING WRITER | Title: STAR WARS | 5/14/1999 | See Source »

...course, had I not read the producer's handy plot synopsis, I would not be able to tell you that. It would be something of an under-statement to say that it is hard to follow the storyline of King Kong. Rather, it seems that the musical actively tries to prevent you from following it. But that, oddly enough, is part of its charm...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Taping Hip-Hop, Aping Wagner | 5/14/1999 | See Source »

...generally not a good sign when the producers think it necessary to hand out a plot synopsis before a show begins. But, then again, King Kong, the Musical, Part 1: Lohengrin, this year's product of the Peter Ivers Visiting Artist Residency, is a show that defies generalizations...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Taping Hip-Hop, Aping Wagner | 5/14/1999 | See Source »

Anyone who tells you that they watch opera for the plot is lying. The attraction of opera is in the experience of beautiful music, elaborate costumes and massive sets. The actual content of the opera is secondary at best. Perhaps the most impressive aspect of King Kong is that it is able to take this emphasis on theatrical experience over story-line--the essence of opera--and make it relevant to audiences today. (The type that wouldn't enjoy Wagner's original score, at least...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Taping Hip-Hop, Aping Wagner | 5/14/1999 | See Source »

...Just as in Jedi Lucas plays with his characters without developing them--Luke's last meeting with Yoda was quick, getting to the meat of the story and leaving, thus making the meat rather dry--the plot of Episode I runs along, too busy with explanation of the originals to tell a good story this time around. Or perhaps the first movies were lucky--perhaps Lucas is a naive savant who has lost his "savant...

Author: By By BEN E. lytal, CRIMSON STAFF WRITER | Title: The Force Has Left Us | 5/14/1999 | See Source »

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