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...Eleanor in the White House had become a benison. She gave hope to the desperate and defeated, seeking out the underdog and the eccentric . . . It was as if she engaged in a dialogue that was always invested with love. . . Relationships enabled her to remain human and to plumb depths of feeling from which she had long been absent. She was grateful and did not care what the papers wrote...

Author: /time Magazine | Title: Books: Daring Rectitude | 7/19/1982 | See Source »

...that case, Butterfield's book is an enormous scroll, a teeming, informative landscape of scurrying figures. Bernstein paints with a more expressive, delicate brush. His art is philosophical and impressionistic, elegant and in some ways more moving. Where Butterfield deals mostly with urban China, Bernstein attempts to plumb the interior hinterland, the very heart of China. Together, these complementary volumes reveal the China of dust and sweat-the China of experience rather than imagination. They create a portrait of a society caught between two worlds one dead and the other powerless to be born...

Author: /time Magazine | Title: Books: Red Alert | 6/14/1982 | See Source »

...tools of technology are brought into the effort to see around the distant bend in the river. Thus planning has grown into a full-fledged industry in the 20th century. The trend is striking, but even more impressive is how little mankind has progressed LA its efforts to plumb the future since those days of prophetic dreams...

Author: /time Magazine | Title: Essay: Looking for Tomorrow (and Tomorrow) | 4/26/1982 | See Source »

...Return, 1915, De Chirico's train has once more entered the city; its black silhouette is plumb in the center of the looming gray facades; a bright ball of vapor hovers directly above its smokestack. Perhaps it comes from the train and is near us. Or possibly it is a cloud on the horizon, lit by the sun that never penetrates the buildings, in the last electric-blue silence of dusk. It contracts the near and the far, enchanting one's sense of space. The early De Chiricos are full of such effects. Et quid amabo nisi quodaenigma...

Author: /time Magazine | Title: Art: The Enigmas of De Chirico | 4/12/1982 | See Source »

...responsibility of the press, in Barber's view, is to plumb a candidate's background and his knowledge of the facts, the press did that job well with Reagan. He was not so much unknown as too simply perceived. The press had to get past Reagan's aw-shucks actor's persona and also avoid another parody-the straw-filled scarecrow wild man the Carter people created. Reporting gave the voters a plausible portrait of a 9-to-5 executive, only passably informed, given to exaggerated remarks but cautious in action, who wants complicated problems reduced...

Author: /time Magazine | Title: NEWSWATCH: Pirandello Would Have Been Lost | 11/17/1980 | See Source »

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