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Last week an ex-conservative named Philip Guston gave an answer of sorts. Painter Guston's reputation is solidly based on complex still lifes and figure paintings. His tame, placid portrait of a plump-armed girl won top honors at the 1945 Carnegie exhibition of U.S. painting. Three years ago, Guston turned his back on easy success, joined the abstractionist ranks. His latest exhibition in a Manhattan gallery features huge canvases thinly blotched with pale colors, and greyish ribbons of paint trailing, snail-like, over slush-hued backgrounds. His sketch for the exhibition catalogue, an apparently random doodle...

Author: /time Magazine | Title: Art: One Explanation | 1/7/1952 | See Source »

...shanties, her fashionably dressed strollers and her ragpickers. Among the finest: a warmhearted study of a blind organ grinder accompanying a bright-faced young street singer, deadpan views of the cluttered windows of a toupee maker and hairdresser, sailor-hatted moppets at play in the Luxembourg Gardens, a plump bakery girl in leg-of-mutton sleeves pushing her wicker cart, a crew of pavers at work on a Paris street...

Author: /time Magazine | Title: Art: Yesterday Paris | 1/7/1952 | See Source »

...seduced a plump little French governess, discarded her after a year or so, left her in his will "five hundred pounds as some compensation of the injury." The illegitimate son she bore him turned out to be the sad apple of his eye. The sage of the minuet had sired a clodhopper. But Chesterfield was the last to admit...

Author: /time Magazine | Title: Books: Sage of the Minuet | 12/31/1951 | See Source »

Last week, a plump grandmother of 67, Emma Bellows was not upset at the thought of parting with her last important portrait, but she was still puzzling over one thing. "I know that dress by heart. I made the jacket myself. The skirt was rose-colored, the jacket blue. I don't know why he called it Emma in a Purple Dress...

Author: /time Magazine | Title: Art: Painter & Wife | 12/24/1951 | See Source »

...medical antiquities that for centuries nobody paid much attention to a charming fresco in the administration building. Painted about 1550 by the Zucchi brothers, minor artists of the Raphael school, it shows a group of wet nurses feeding foundling children, while in one corner of the scene a plump, placid musician plays a ciaramella or shawm, a cousin of the oboe. This week the hospital's archivist, Professor Pietro de Angelis, was getting ready to publish a startling explanation of the musician's presence: he was there to stimulate the flow of milk...

Author: /time Magazine | Title: Medicine: Piping the Milk | 12/24/1951 | See Source »

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