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Word: plutocratism (lookup in dictionary) (lookup stats)
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...American architect of the 19th century. The poor have always wondered how the rich live. But more to the point in America, the rich have always wondered too. Wealth on the scale of the 1880s in the U.S. was still uncharted territory. Its signs could get crossed. So the plutocrat needed an architect to create a seamless etiquette of shared ostentation, with variants, and that was what Hunt did with Newport...

Author: /time Magazine | Title: THE BEAUTY OF BIG | 5/21/1997 | See Source »

...capering Roger Moore of the '60s TV show. Kilmer's Simon is a man unsure of his own identity and compelled to wear disguises as if he were shopping for a new soul. Similarly, Noyce eschews the campy look of Bond or Batman. The movie, about a post-Soviet plutocrat (Rade Serbedzija) who tries to mastermind a new Russian revolution, is dark--almost drab--and broody. It seems deeply riven between its impulse to entertain and its aspirations to update both Freud and Le Carre...

Author: /time Magazine | Title: CINEMA: A SAINT GOES MARCHING ON | 4/7/1997 | See Source »

...desperate. His first RKO project--Heart of Darkness, which would be told with a subjective camera and would star Welles as Marlow and Kurtz--was deemed too pricey. Now, with Mank's unbilled help (the deal specified no screen credit for his script), Welles hoped to turn a jolly plutocrat into a tragic figure, swathe the San Simeon Sun King in the menacing shadows of movie melodrama. Kane would be Welles' Hearst of Darkness...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

Thus, you should make improvements the only way you can--by putting nice photos next to those news stories. After all, why put up with the ugly mug of a typical old boy, dragon lady or bloated plutocrat? With your vote, the morning paper can greet you with the shining visages of Harvard's own Sharon Stone and Brad Pitt...

Author: NO WRITER ATTRIBUTED | Title: SAME AS IT EVER WAS | 10/15/1994 | See Source »

...Arab as Plutocrat. The gas lines of the '70s fueled the image of overpowerful sheiks, shifty in kaffiyehs and sunglasses, plotting the petrodollar domination of the world in grim melodramas like Marlon Brando's The Formula (1980), Richard Gere's Power and Jane Fonda's Rollover (1981). There is an ironic precedent for such pop paranoia: the anti-Semitic myth of the all-powerful...

Author: /time Magazine | Title: Monitor Where Have You Gone, Omar Sharif? | 8/8/1994 | See Source »

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