Word: plywoods
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When we got to the café, we ordered frozen lattes and powdered donuts. To our left, a man whose entire body was painted silver stood on a block of plywood and posed. Behind us, another had draped Mardi Gras beads around his neck and propped a handwritten sign in front of him: MAKING ‘MONEY’ FOR MY ‘HONEY,’ it said. I pointed to the sign. “Yeah,” Matt said. “We’ve seen a lot of misused quotes...
...Whitney Museum of American Art. A big show at a New York City museum can be career making. Or it can play out the way his did. Tuttle was working with the humble materials he favors to this day--wire, string, bits of Styrofoam, matches, scraps of plywood and cardboard--which he lightly assembled into strange little delicacies. Some of the works in that show, like his "rope pieces"--three-inch lengths of clothesline, fluffed a bit at the edges and attached to the wall with three nails--seemed less like works than offhand gestures, the merest residues...
...department in backing a Graffiti Alternative Workshop. After "recruiting" some prolific vandals, who had been caught in the act, the workshop commissioned several at $2 an hour to candy-stripe a dilapidated transit-authority bus. The Penn Mutual Life Insurance Co. hired yet another group to decorate the plywood fence surrounding its new Philadelphia office. One graffitist was even paid to paint a mural on the wall of Art Patron Ben Bernstein's town house...
...Catholic campus in California was supposed to look? The small site is in a raggedy neighborhood; the budget was not great ($4.8 million); students and faculty yearned for a physical sense of community. Gehry's solution is a small miracle. Using his customary sorts of raw materials--galvanized steel, plywood and stucco--he has virtually invented a new form of late-20th century urban classicism, simultaneously gritty and dignified...
...eventually, time-lapse films, becoming a sort of Muybridge of the 9-to-5 realm. In the mid-'70s at Herman Miller, he began turning that research into drawings. The Ergon is a descendant of Eames' designs, an out-of-sequence missing link between the lucid but barebones molded-plywood chair (1946) and the voluptuous, baroque lounge chair (1956) so beloved of big men with dens. The quiet swerves of Ergon's separate seat and back are subtle, like Noguchi stones made soft and purposeful. No earlier American chair had been mounted on a gas-cylinder post, an innovation that...