Word: poco
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...Everything Santana 79. Won't Get Fooled Again Who 80. Rock Steady-Oh Me Oh My Aretha Franklin 81. Day After Day Badfinger 82. Only You Know and I Know Delaney and Bonnie 83. Free Chicago 84. If You Could Read My Mind Gordon Lightfoot 85. C'mon Poco 86. Don't Try to Lay No Boogie Woogie on the King of Rock and Roll Jeff Thomas-Crew 87. You're All I Need to Get By Aretha Franklin 88. Sweet Hitch-hiker Credence Clearwater Revival 89. George Jackson Bob Dylan 90. Put Your Hand in the Hand Anne Murray...
...puberty," and finally, of course, Krafft-Ebing. But their first kiss leads only to a more metaphysical discussion. Clearly such cerebral lovers have no future. For sex Urie turns to a much older naval officer, and the grieving Zeb is astonished to find himself aggressively seduced by Loco Poco, just...
...very like their eldest and prettiest daughter, Irene. Most of the novel is devoted to Urie, who is 13 when the book begins; she is an avowed bluestocking blessed with ambition and "a thick ego." Then there is Sylvia, 11, a charming but unfathomable sprite who is called "Loco Poco." Shortly after arriving in Ephesus, Urie forms an intense friendship with an ignorant but brilliant local boy named Zebulon Walley, whose ego is diaphanous and who attaches himself to the Bishops like a starving kitten...
...couple of Dylan albums that at their best moments are just barely tolerable. We have had to rely on second-string groups who continue to produce solid, respectable, and, on occasion, brilliant, records; people like Creedence, the Dead, the Steve Miller Band, Delaney and Bonnie, Elton John, Poco, Leon Russell, Traffic, and Crosby, Stills, Nash, and Young. All these people are putting out fine music, but none of them has been able to really challenge that insane devotion that is reserved for the Beatles, the Stones, and Dylan...
...Guarneri String Quartet's performance of the work at Sanders Theater, in the fourth concert of its series here, was of virtuoso caliber. The most significant aspect of this performance was that the second movement, un poco adagio, posed no problems of continuity to the listener. Throughout, the Quartet played with freedom and sensitivity, and brought out fully the singing qualities of the music...