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Word: podium (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Soprano and Bass, No. 32 floated away, there was silence. Then, in an unexpected gesture, the tall, white-haired Bishop of Perpignan arose, raised his hands and gave the first clap, signaling an end to the church ban on applause. As bald little Pablo Casals bowed from the podium, the 2,000 listeners clapped so thunderously that a piece of plaster shook loose from the high roof, clattered into the church...

Author: /time Magazine | Title: Music: A Reunion of Hearts | 7/3/1950 | See Source »

...With Albert Hall packed for the occasion, great-domed German Conductor Wilhelm Furtwangler stepped to the podium to lead London's Philharmonia Orchestra. Plump and majestic, Soprano Flagstad took her place near his side, solemnly donned spectacles to read the music. What followed was a moving and deliberate farewell from a composer who, in his earlier years, had turned out the rich and masterful scores of Der Rosenkavalier, Death and Transfiguration, Don Quixote...

Author: /time Magazine | Title: Music: Richard Strauss's Epitaph | 6/5/1950 | See Source »

...type when confronted with applause fumblingly collects his notes, hastens off the podium, and has difficulty opening the door as the clapping of hands resounds in his ears. After the students have filed from the room, he must return to gather up the coat and hat he left behind in his haste...

Author: By Frank B. Gilbert, | Title: CABBAGES & KINGS | 5/5/1950 | See Source »

When he finally got around to putting the orchestra through Falstaff early last week, he found the orchestral parts full of wrong notes. Stopping the music, he would summon flutists and violists to the podium, hold the offending scores up to his nose so he could read them, then mock the publisher ("Viva la casa Ricordi...

Author: /time Magazine | Title: Music: Sir John & the Maestro | 4/10/1950 | See Source »

...unforgettable. His "Apparebit" for mixed chorus and brass choir is a study in modern music; it was excellently executed by the Glee Club and Choral Society. The "Demon of ht Gibbet," a ballad for men's chorus, was beautifully terrifying. And when the composer turned around on the podium to lead an audience participation tribute to Mrs. Elizabeth Sprague Coolidge and to "Frau Musica." Sanders Theatre became animated with three part canons...

Author: By Andreas Lowenfeld, | Title: THE MUSIC BOX | 3/17/1950 | See Source »

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