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Word: poem (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Mayakovsky poem and drawing are reproduced by permission of Hill and Wang, a division of Farrar, Straus, and Giroux, from Mayakovsky, translated by Herbert Marshall. Copyright 1965 by Herbert Marshall...

Author: By David R. Ignatius, | Title: About This Issue | 3/3/1972 | See Source »

...proletariat's task was not the writing of great literature, said Trotsky. The bourgeois, educated to leisurely pursuits, could do that better. Its task was the nuts and bolts construction of the new socialist order. Mayakovsky admitted as much when he write in a poem, "Shakespeare had at his disposal a total of 60,000 words. But the genius-poet of the Future shall possess in every moment 150,000,000,000." Mayakovsky had the vision of the future genius-poet but was stuck with Shakespeare's used-up diction...

Author: NO WRITER ATTRIBUTED | Title: Mayakovsky... ...and the Russian Futurists | 3/3/1972 | See Source »

...Yevtushenko read the same poem, the speakers overhead seemed to transform the one-ring Felt Forum into a rally hall of what kind I was not sure. The doubt was not clarified when Eugene McCarthy strode professionally up on the stage. McCarthy wore a dark three piece suit. A ragged book of some kind was shoved in his left pocket. He looked and evidently felt a little out of place. It was hard to see him in place anywhere, but this forum of poetry and politics seemed as good a place as any, a place both beneath and above...

Author: By Richard Dey, | Title: Yevtushenko: Lightweight in a Heavyweight's Garden | 2/28/1972 | See Source »

Jazzy piano music picked up the tempo. Yevtushenko and Barry Boys returned to alternate verses of another journalistic, but not bad poem. "Freedom to kill." It operates out of shame, and contains these lines...

Author: By Richard Dey, | Title: Yevtushenko: Lightweight in a Heavyweight's Garden | 2/28/1972 | See Source »

...read about life in Russia or for instance, about the invasion into Czechoslovakia. That is the price he pays for his freedom. The delivery of this, purposefully perhaps, was abrasive, softened somewhat by the chorus repeating selected lines. Then they burst into a Hair-like version of the poem. Heard were strains of rock, gospel and jazz--all thrown in for whatever measure the audience might think good. With a solid round of booing and scattered applause, intermission arrived...

Author: By Richard Dey, | Title: Yevtushenko: Lightweight in a Heavyweight's Garden | 2/28/1972 | See Source »

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