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Schnackenberg exhorts us to value that golden thread: "But really you must admit/You're lost/ But really you must not lose the way," she writes of the human condition. This can refer to losing the "way" of the Judeo-Christian tradition, but the poem suggests a further, broader meaning: by losing the connection of poetry to history, we lose a vital way of understanding our past...

Author: By Deborah T. Kovsky, CONTRIBUTING WRITER | Title: A Beautiful Gilded Lapse of Time | 12/17/1992 | See Source »

...most well-publicized of these was a remarkwritten on the Lamont Library poetry board lastyear. On a poem with an Asian-American woman'sname written under it someone wrote "Die, Chink...

Author: By Anna D. Wilde, CRIMSON STAFF WRITER | Title: Asian-Americans at Harvard Tell Of Diverse Experiences, Cultures | 12/4/1992 | See Source »

...poem I actually first remember I wrote when I was about ten. It's one of those rhyming things but it was fun. It was one of those Easter poems, about a rabbit who had one droopy ear and how he solves his problem. It was a narrative poem, you know...

Author: By Natasha H. Leland, CRIMSON STAFF WRITER | Title: RITA DOVE'S EXPERIMENT | 11/12/1992 | See Source »

...Corinth who has banished Medea, appears as a sleazy politico with a carefully blow-dried hairdo. He thunders that "the best things in life are family and country." Vilhauer's glib, funny performance suggests Medea as a figure in rebellion against conventional morality and "family values" fascism. A contemporary poem which the chorus recites to open the show similarly connects Medea's story to issues of abortion and societal restrictions on women...

Author: By David S. Kurnick, CRIMSON STAFF WRITER | Title: Medea's Passion Diluted In Mainstage Revival | 10/29/1992 | See Source »

...20th century, particularly in its first five decades, impressively reflected and helped shape the sensibilities of an age that saw itself as distinct, cut off from its past. "These fragments I have shored against my ruins," wrote T.S. Eliot in The Waste Land (1922), the poem that most typifies its age. A similar attitude prevailed among a number of revolutionary artists: Picasso in art, Stravinsky in music, Joyce in literature, Balanchine in ballet and Mies Van Der Rohe in architecture. Each of these men mastered the techniques of his trade and then saw fit to wrench old forms into previously...

Author: /time Magazine | Title: The Astonishing 20th Century | 10/15/1992 | See Source »

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