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...poem printed inside one of the anniversary cards is read. My grandmother leans over, grabs my arm and says, "Listen to that. You could make a lot of money writing those." A long telegram is read next and when the name of the correspondent is revealed, Lil booms...

Author: By Frank Rich, | Title: NOTES ON A CELEBRATIONMoon Over Miami | 12/9/1970 | See Source »

...image stems from an ancient Irish legend which predicted that the peasants would one day overcome their oppressive enemies in a climactic battle in a mysterious Valley of the Black Pig. W.B. Yeats used the phrase for the title of a poem...

Author: /time Magazine | Title: Historical Notes: Recollections of the Fishbowl | 11/9/1970 | See Source »

THERE are two ways of looking at The Nixon Poems, either as poetry or as political criticism. As poetry it fails, but as a political statement it sometimes succeeds. It fails as poetry for its lack of a subject, and also for its lack of form. Great poetry is often written in totally unstructured form, and much trivial verse, especially classical verse, has survived because of the beauty of its structure. A poem without structure, on a trivial theme, has no hope from the beginning. Thus, the first half of a poem from this volume: "dicketydicketydick / dicketydicketydick / click / priorities goals...

Author: By Michael Ryan, | Title: Books The Nixon Poems | 11/2/1970 | See Source »

...Stalinist "correctional" prison camp in 1945. It is a place Solzhenitsyn calls "the invisible nation," where "99 men weep and one man laughs." Most of the prisoners are "politicals" whose sentences run from ten to 25 years. Their crimes? "Failure to turn informer." Reading a poem unsanctioned by the regime. Writing a letter calling Stalin "the man with the moustache" and commenting ironically on how bad his Russian is-for which "crime" Solzhenitsyn himself spent eight years in Russian prisons. The prisoners' horizon is a gray-black wall. High up on the wall, in two ominous apertures, guards stand...

Author: /time Magazine | Title: Theater: The Invisible Nation | 11/2/1970 | See Source »

...MANY WAYS, the play is a prose-poem, a multi-media Greek tragedy: the pantomime of lovemaking, pregnancy, childbirth, all in rhythm; the sitting home waiting, the pains of leaving, all in rhythm; the cries of anguish, synchronized. The new-born parents dealing with newborn child ("It's a girl!"-"Oh, shit."), the kid jumping about uncontrolled as the father shouts helplessly, "Do something...

Author: By Carol R. Sternhell, | Title: How to Make a Woman at the Harvard Epworth Church every Fri. and Sat. | 10/30/1970 | See Source »

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