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Word: poet (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

When Brazil's famed Architect Oscar Niemeyer designed the chapel 16 years ago for Belo Horizonte (pop. 650,000), he was inspired by French Poet Paul Claudel's statement: "A church is God's hangar on earth." But to Belo Horizonte's Roman Catholic archbishop, Niemeyer's hangar looked more like the devil's bomb shelter -a parabolic vault of glass and stucco, with an emaciated Christ glaring from a huge fresco by Painter Candido Portinari. Worse, Architect Niemeyer and Painter Portinari were godless Communists. Despite protests by Belo Horizonte's Mayor Juscelino...

Author: /time Magazine | Title: Religion: Fit for Prayer | 4/27/1959 | See Source »

...live in England, but they have a curiously American shine to their ways. His heroines would seem the image of Harry Leon Wilson flappers of pre-World War I America-the America first known to Wodehouse-were it not for the fact that they are simultaneously as British as Poet John Betjeman's strong-armed Dianas; they display the "outer crust ... of Miss Marilyn Monroe," and yet still manage to draw from their swains such modish endearments of the British '20s as a "tenderly" spoken "old blighter." Wodehouse heroes are often golfers, but they play upon courses which...

Author: /time Magazine | Title: Books: Old Blighter | 4/27/1959 | See Source »

...Cummings '15, prominent American poet, will read his poems, and make certain incidental remarks this Saturday evening at 8:30 p.m. in Sanders Theatre. Cummings is the author of Xaipe, The Enormous Room, and many other works...

Author: NO WRITER ATTRIBUTED | Title: Cummings to Speak | 4/24/1959 | See Source »

...Touch of the Poet. The late Eugene O'Neill's trenchant portrait of an alcoholic innkeeper who cannot live up to his illusions...

Author: /time Magazine | Title: THEATER: On Broadway, Apr. 20, 1959 | 4/20/1959 | See Source »

...first time, it proves to be one of Strauss's most fascinating works. Too static for the stage, it is studded with passages of surpassing orchestral and vocal beauty: the sweetly melancholy string sextet that serves as an overture; the delicately interlaced trio in which Musician, Poet and Countess comment on the Poet's sonnet; the Countess' hushed mirror monologue at the close, with its spun-silver vocal tracery. The performers-notably sopranos Elizabeth Schwarzkopf and Anna Moffo, baritones Hans Hotter and Dietrich Fischer-Dieskau-sing superbly under Conductor Wolfgang Sawallisch. In its flashing orchestral coloration...

Author: /time Magazine | Title: Music: New Records, Apr. 20, 1959 | 4/20/1959 | See Source »

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