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...Raymond v. Raymond.” A perfect example of this is “OMG,” featuring and produced by The Black Eyed Peas’ will.i.am, perhaps the most ridiculous track. Another ode to club hookups, the lyrics show that a poet Usher is not, as he laughably attempts to describe the woman he has fallen for by singing, “Honey got a booty like pow, pow, pow / Honey got some boobies like...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Usher | 3/30/2010 | See Source »

Every poetic career follows a different trajectory. Yeats’ style evolved and improved throughout his long career; Wordsworth composed his greatest works in his youth, but continued writing through his old age. The deterioration of poetic talent must be one of the greatest fears of an aging poet. Although Derek Walcott—who turned eighty this past January—is a Nobel Laureate and the author of over twenty published volumes of poetry, the dread of losing his poetic ability permeates “White Egrets,” his newest collection. He writes...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: ‘White Egrets’ Wades Through Memory and Regret | 3/30/2010 | See Source »

...forceful voice throughout his collection. “White Egrets” is composed of a sequence of poems that range in subject from Walcott’s travels in Italy and Spain to his former love affairs. As he explores a wide array of memories and places, the poet attempts to come to terms with his recollections of the past and the effects of age upon his body and mind...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: ‘White Egrets’ Wades Through Memory and Regret | 3/30/2010 | See Source »

...world: “they are the bleached regrets / of an old man’s memoirs, printed stanzas / showing their hinged wings like wide open secrets.” The “bleached” quality of his thoughts is not due to his age alone; the poet is presenting himself to the world—starkly and without dissemblance...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: ‘White Egrets’ Wades Through Memory and Regret | 3/30/2010 | See Source »

...lines are almost always broken by a caesura, dramatically moderating the flow of his verse. “It cannot save us. But it can remind us / Survival is a butcher’s goal. All hands / To the pathos. Let the credits,” he writes. The poet explains that this is “a structure of feeling / Broken by hand.” Alternatively, Lerner also often leaves out punctuation, leaving sentences unfinished, imitating the rhythm of real conversations. The last sentence of the excerpt mentioned above—“Let the credits?...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

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