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Word: poetes (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

SELECTED LETTERS OF ROBERT FROST, edited by Lawrance Thompson. The nation's late "poet laureate" was too complicated a man to take full shape through this correspondence alone, but it is a thorough and delightful selection and promises much for Editor Thompson's forthcoming official biography...

Author: /time Magazine | Title: Television: Jan. 8, 1965 | 1/8/1965 | See Source »

Most Italians agree with Barzini that the best man won. Honest and tenacious, Saragat is both a poet and a visionary who dreams of a United Europe. But his more immediate concern will be the uniting of Italy itself. The presidential election showed once again the creaky nature of the nation's political system, with its multiplicity of parties. It also produces new strains in Premier Aldo Moro's ruling center-left coalition and among the Christian Democrats, who after 18½ years of ruling Italy, have become more a collection of factions than a coherent political party...

Author: /time Magazine | Title: Italy: The Worst Way | 1/8/1965 | See Source »

...drove all the way from St. Louis to Chicago to see Ivan Albright's exhibition [Dec. 18]. The titles of his paintings show that he is a poet as well as an artist...

Author: /time Magazine | Title: Letters: Jan. 1, 1965 | 1/1/1965 | See Source »

Hughie, by Eugene O'Neill. The Greek poet Archilochus said: "The fox knows many things but the hedgehog knows one big thing." Eugene O'Neill was a hedgehog playwright, and the one big thing he knew was this: the truth kills-the lie of illusion nourishes life. O'Neill dealt with this theme long and lovingly in The Iceman Cometh. Then, 23 years ago, he wrote a one-act, 65-minute postlude to that play; Hughie is a kind of Iceman's ice cube. But O'Neill was a stage animal to the theater born...

Author: /time Magazine | Title: Theater: Playwright as Hedgehog | 1/1/1965 | See Source »

...spiel sounds like a matter of life and death, because it is. The air is never airy in O'Neill. It is obdurate and oppressive, and his characters slash at it and through it with fast talk, sweet talk, crying talk, any kind of talk. It is a poet's speech-not that O'Neill could ever write a poetic line, but in the sense that a poet regards prose as an inadequate tool to express a man's longings. The poignant intensity of O'Neill is that his spoken lines reach unerringly toward what...

Author: /time Magazine | Title: Theater: Playwright as Hedgehog | 1/1/1965 | See Source »

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