Word: poetes
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Dates: during 1960-1969
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...Cover) He has been called "the first poet of technology," "the greatest living genius of industrial-technical realization in building," "an anticipator of the world to come-which is different from being a prophet," "a seminal thinker," and "an inspired child." But all these encomiums are fairly recent. For most of his life, R. Buckminster Fuller was known simply as a crackpot...
STRATFORD-ON-AVON--"More and more light," sagely noted Shakespeare, commenting on the new CRIMSON telephone book. "It tell a lie--why, spit in my face, call me horse," the poet continued. Encouraged by the Bard's response, the CRIMSON bravely offers a Free Subscription to the first person to spot all 208 errors in the book. The new expanded edition is on sale now in all House dining halls and at the CRIMSON Building, 14 Plympton St. $1, cash...
...Midst laurels stood: Archibald MacLeish, 71, named Amherst's poet in residence to succeed the late Robert Frost; Playwright-Producer Sir Tyrone Guthrie, 63, installed in the honorary post of chancellor of Queen's University in Belfast, succeeding Britain's late World War II strategist, Lord Alanbrooke; Poet and Critic Allen Tate, 64, awarded the $5,000 Chancie and William Booth Fellowship of the Academy of American Poets by a board of such peers as W. H. Auden and Randall Jarrell; Architect Le Corbusier (born Charles-Edouard Jeanneret-Gris), 76, promoted to grand officier, next to highest...
...Spanish sequence is an ode to the poet Federico Garcia Lorca, whom Frasconi met in Montevideo in 1933, three years before Lorca was gunned down in the Spanish Civil War. In 1962, after a month in Spain, Frasconi made 16 Picasso-like lithographs titled Oda a Lorca, in which the poet is depicted as a matador, Franco as a hairy-legged bull with tin horns, and Spain as a land of graves over which praying figures whirl by on the backs of monsters, symbolizing "mysticism and dogma in a wild, hysterical...
...hands that grip the gouges are as calloused as a carpenter's; the eyes that guide them brood with the sad sensitivity of a romantic poet. A chipper, Groucho Marxist mustache contradicts both hands and eyes. They all belong to Printmaker Antonio Frasconi, 44, one of the U.S.'s foremost woodcut artists. In February, more than 80 of his whorled and scratch-lined works (see opposite page) will begin a two-year long tour of U.S. museums. Sponsored by the Smithsonian Institution, the show demonstrates Frasconi at his versatile best, running from bright, bird-wreathed seascapes to dark...