Word: poetes
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Dates: during 1960-1969
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Pollard's plight is common enough from Harlem to Newark. But to find poverty in Greenport, L.I., is something else again. As Poet William Cullen Bryant wrote in the 1870s of the tidy, tree-shaded town with its white clapboard houses: "Nowhere is decay or unwholesome poverty apparent." It is not apparent today, but there all the same are migrant labor camps, like the Cutchogue settlement for potato workers, whose four grey-painted World War I barracks house itinerant teams of Florida, Arkansas, Virginia or New Jersey farm hands. Isaiah, 35, the crew chief, is a diminutive Negro from Florida...
...openly dissolute life and licentious verse earned him a worldwide reputation for immorality." Yet in today's easygoing society, George Gordon Lord Byron seems less of a satyr than a swinger; so a group of Byron buffs led by Derek Parker, editor of the Poetry Review, and Poet Laureate Cecil Day-Lewis have petitioned that he receive his proper niche in the abbey's Poets' Corner. Their word was good enough for the Very Rev. Eric Abbott, present Dean of Westminster, who ordered that an appropriate plaque be placed in Poets' Corner next April...
Died. Winfield Townley Scott, 58, critic, editor and poet; in Santa Fe, N. Mex. Although Scott wrote about other states, he wrote best of familiar, roughhewn private places like Haverhill, Mass., where he was born. In his lyrical, uncluttered style, he celebrated them in poems like "Tidal River...
Early in this book, the author reports that Poet Robert Lowell remarked to him: "Norman, I really think you are the best journalist in America." Mailer refused to take it as a compliment. "Well, Cal," he replied, "there are days when I think of myself as being the best writer in America...
...years of this town, of predictable variety and commonplace brilliance, can do that to a fellow. Places, and the people who choose to hold them, can distort perception; can modify and magnify, enrich and cheapen, help and hurt. Cambridge does things to events and phenomena, and it takes no poet's sensibility to realize the fact. But last night, one could feel more comfortable in the grip of the Brattle Square time warp, because six actors had performed two acts of songs, speeches, and sketches, and because those acts became a uniquely successful artistic explication of what Cambridge is about...