Word: poetes
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Dates: during 1960-1969
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...ludicrous profanation of an extremely complex musician. No matter how hard harried annotators try, their exegeses are usually self-congratulation for the act of explanation. The result has been a sanctimonious exhumation which consists of a disfiguring serious of antinomies, most commonly Mahler as neurasthenic Demon and Poet. But more violent misconceptions are the persistent currency of Mahler criticism, Many people think of him as a charnel-house, a confusion of specters and fantasies, an artificer of self-pitying jeremiads, or as a fraudulent amateur celebrating merely the craft of symphonic composition. Others consider him, like all other "late-romantic...
...permission to travel abroad. "Informers are what they like," he said to himself. "Fine. So they'll get a real piece of informing." He began to drop hints to the KGB that a new underground journal was about to be published by a group of his colleagues, including Poet Evgeny Evtushenko. Kuznetsov does not make clear whether his fabricated story actually placed those writers in any real danger. But he passes a tortured judgment on himself as well as other Soviet intellectuals. "I now believe," he says, "that the main reason why many highly intelligent and able people...
...resist the temptation to see things as they ought to be, rather than as they are, and that's Tom Eakins." Walt Whit man was one of the few people who had anything good to say about the cold-eyed and ruthlessly honest Philadelphia realist. Aside from the poet, whom Ea kins portrayed in 1888 as a twinkling old sage, few people could stand having their character laid bare with the visceral objectivity that Eakins brought to portraiture. He used his brush like a surgeon's scalpel, exposing old wounds, concealed ambitions, ill manners. The commissions...
What Moby Dick did not reveal, The Year of the Whale does-and on terms that can stand the comparison. Victor B. Scheffer is a biologist with the U.S. Fish and Wildlife Service, but his facts tick off the tongue of a poet. The result is a brilliant and affectionate one-mammal bestiary...
...last-minute pruning serve only to concentrate our attention on the twin concerns which have been announcing themselves in his work with increasing vehemence at least since White Sale, his first unabashedly personal production: The vision of Mayer as director of showman and the vision of Mayer as artist, poet of the physically tormented. Perhaps because there was so little time to moderate or reshape, and so little time to draw on the formidable talents of his friends, Mayer has given clearer voice to these fundamental propositions about his own world than is his custom. The net effect...