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...well as the movies. After the war the U.S., the new top empire, rebounded into posterity; Britain, relinquishing India and its centuries of world rule, faced shortages of food, gasoline, all earthly essentials. The grinding deprivation of this grim landscape is superbly evoked by David Thomson, another movie-mad poet, in Try to Tell the Story, his new memoir of growing up in London around the same time as Davies in Liverpool. Davies shows a righteous class contempt for the excesses of Britain's "fossil monarchy," such as "the Betty and Phil Show," his phrase for the marriage of Prince...

Author: /time Magazine | Title: Of Time and the City: Terence Davies' Liverpool Memories | 5/12/2009 | See Source »

...Think twice before you take on Royal commissions. Or they'll be little more than rhyming emissions." -Fellow British poet Ian McMillan, offering Duffy some advice...

Author: /time Magazine | Title: Carol Ann Duffy | 5/1/2009 | See Source »

...Carol Ann Duffy has been the most popular living poet in Britain, her sales greatly helped by the fact that she has succeeded Hughes and Larkin as the most common representative of contemporary poetry in schools." -Journalist John Mullen (The Guardian...

Author: /time Magazine | Title: Carol Ann Duffy | 5/1/2009 | See Source »

...Harvard’s first poetry workshops and immersing himself in the work of Surrealist painters Max Ernst and Joan Miró in a class on 20th century art. Ashbery did write a thesis, on W.H. Auden, though he has always considered himself more of a poet than a critic. “I think of the two as opposites,” he says. “Writing poetry is striking out and finding something you don’t know yet, whereas criticism is dealing with something you do know about or are about to know about...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Portrait in a Crimson Mirror: JOHN ASHBERY ’49 | 5/1/2009 | See Source »

...This very focus on consciousness and the process of thinking, however, has won him a reputation as a “difficult” poet. Helen Vendler once likened the experience of reading Ashbery to “playing hide-and-seek in a sprawling mansion designed by M. C. Escher.” One of his early collections in particular, 1962’s “The Tennis Court Oath,” has garnered criticism for its fragmentation, lack of punctuation, and seeming disregard for narrative...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Portrait in a Crimson Mirror: JOHN ASHBERY ’49 | 5/1/2009 | See Source »

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