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...international set, primarily from M.I.T. and the Harvard Business School. They held lively parties–probably the liveliest in Cambridge. As an aside, the members of The Harvard Advocate certainly knew how to party as well. The third was composed of Horace Reynolds, the translator, George Palmer, the poet who published under the name of George Anthony, Gunther Neufeld, an art critic from Germany, George Burroughs, once the head of the WPA Writers Project in Hawaii who had become a Harvard policeman, Jennie Tutin, the widow of a former bookseller, and Edith, the original founder of what became...

Author: By Louisa Solano | Title: Plympton Street | 6/6/2006 | See Source »

...quite a night. I got into the reading (I was late) through the persuasions of Desmond O’Grady. He haunted the Grolier when he was drunk. When he was sober, he was incredible, and every scene was a movie. He worked with William Alfred, the playwright and poet. To most of us, he was the stereotypical wild Irish poet who strode through the world bringing an almost magical power. Much later on, I met James Merrill and attended his reading of the first portion of The Changing Light at the Boston Athenaeum. The setting was old Boston...

Author: By Louisa Solano | Title: Plympton Street | 6/6/2006 | See Source »

...Another poet I met who read for me later on was Richard Howard. I heard him read from his Baudelaire, “Les Fleurs Du Mal” (David Godine). He read at the gallery that hung the originals of Michael Mazur that were used as illustrations for that book. In full black attire, against a backdrop, he hissed the words over his shoulder at his audience in truly a sinister manner; it was very effective. Later, I met both again at a party hosted by a friend on Beacon Hill. Merrill was seated on a couch...

Author: By Louisa Solano | Title: Plympton Street | 6/6/2006 | See Source »

...love.”She found connections between the metaphysical poetry she loved and the crooning she hated. In country music, she saw the same mastery of conceit—the unification of dissimilar ideas in an extended metaphor—that attracted her to the English Renaissance poet John Donne. Just as Donne created an elaborate metaphor likening the two feet of a compass to distant lovers, a country music songwriter compared a love affair to a trial and execution. She would later become the only black woman to write a number one country song, and she would...

Author: By April H.N. Yee, CRIMSON STAFF WRITER | Title: Alice Randall | 6/5/2006 | See Source »

...When poet Jean Valentine ’56 was an undergraduate at Radcliffe, she says the campus was “a much more divided world.”At the time, she recalls, women were not allowed into Lamont Library, which houses poetry recordings on the fifth floor.It wasn’t until Valentine returned to Cambridge in the fall of 1967 as a Radcliffe Fellow that she was able to listen to the recordings that she had longed to hear as a student. “I think it was a conservative world that had been there...

Author: By Rachel L. Pollack, CRIMSON STAFF WRITER | Title: Radcliffe Was a 'Crossroads' For Free-Verse Poet | 6/3/2006 | See Source »

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