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Word: poeticisms (lookup in dictionary) (lookup stats)
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...Poetic language emerges out of the ruins of prose. --Jean-Paul Sartre, Art and Action...

Author: /time Magazine | Title: Music: Hip-Hop Nation | 2/8/1999 | See Source »

...hothouse atmosphere of the Este court shows in Dosso's major works: they tend to be playful, elaborately poetic and almost impossible to connect to the usual literary sources, as though they were suggested by highly sophisticated people dreaming up ever more obscure secular concetti. In a word, the paintings are totally mannerist; even today scholars don't agree on what they're actually about. Their oddity is deepened by the fact that Dosso made them up as he went along, adding figures and painting them out as the whim took him, rather than sticking to a preset program...

Author: /time Magazine | Title: Art: Puzzles of A Courtier | 2/1/1999 | See Source »

...since Malick's last film, the 1978 Days of Heaven. The new movie takes up where Days--and his haunting Badlands of 1973--left off. Each film is a tragedy of small folks with too grand goals; each is narrated by a hick with a dreamy touch of the poetic; each sets its tiny humans against Nature in ferocious rhapsody. The Thin Red Line begins with an island idyll, and to Private Witt (Jim Caviezel) it feels like the ideal hallucination. It is really Nature's tease: here is Eden, the way the world was before the Fall...

Author: /time Magazine | Title: Cinema: Ho, Ho (Well, No) | 12/28/1998 | See Source »

...natural comedian, he doesn't have much range, and he has problems creating a coherent character. One moment Joe is ridiculously inept; the next an almighty deity. For example, he comes to Earth having no idea what peanut butter is--he literally probes the jar for minutes and waxes poetic over the gooey sweetness. Later in the movie, however, he offers his own perspective on the IRS and denounces a fellow character's "Machiavellian machinations." Fast learner...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Welcome to the Brad Pitt School of Acting | 12/4/1998 | See Source »

...instead of speaking of science and humanities in a broad sense, Dawkins uses Unweaving the Rainbow to function as an odd sort of rebuttal in which he accuses Keats (and every other romantic poet who criticized science) as being patently wrong. Although Dawkins' writing is lush and poetic, his approach is bizarre and confusing. Dawkins wants to say ultimately, that Newton was no different from Keats. Both made it their life's mission to seek understanding of the world around them. But what Dawkins ends up doing is attacking Keats and bathing his whole argument in the same scientific hubris...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: When the Two Cultures Go to War, Science Loses | 12/4/1998 | See Source »

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