Word: poeticisms
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Video and performance artist Kip Fulbeck offers a similarly vivid perspective with his piece "Some Questions for 28 Kisses," although his offering is less a video performance of poetry and more a creative film with a poetic soundtrack. "28 Kisses" offers a montage of visual and aural images (including film clips and written and spoken words) all of which depict stereotypes of Asian men and women, especially in their sexual interactions. The clips, for instance, all feature scenes in which white men and Asian women are embracing. Meanwhile, questions roll across the bottom of the screen: "Do they really have...
...final two songs, "Tonight's the Night" and "Like a Hurricane," in which the band achieves a level of aural glory that most bands can only dream of, more than make up for the infrequent lapses. In both these songs, music and imagery achieve a brilliant synergy: Young's poetic lyrics and thundering guitar are superbly matched by such shots as Jarmusch's cut between the hands of some audience members and the band jamming it up under amazing lighting. You don't have to be a fan of Neil Young & Crazy Horse--or of Jarmusch, for that matter...
...abandon in "The Hills of Anacapri," the ending of which seemed contrived by Debussy to recall the final arpeggio of the earlier "Gardens in the Rain" from his "Estampes." Pollini's mastery of Lisztian technique was evident in the whirling "What the West Wind Saw," and his refined yet poetic sensitivity in "The Girl With the Flaxen Hair," which too often suffers from overwrought performances, made one wish he'd consider recording some Satie...
...persistent, however, and kept reweaving the strands of her youth --a reverence for nature, great powers of observation and expression, and scientific exactitude--until finally a style that had previously been dismissed by editors as too poetic became celebrated as just poetic enough. When success finally arrived, with the publication of The Sea Around Us in 1951, it came as a tidal wave. Each of her four books became a best seller, and she won virtually every prestigious literary award, including election to the American Academy of Arts and Letters...
...order to avoid an NC-17 rating. But even with the editing, it's still a visceral piece of filmmaking. Kelley finds just the right tone to make what could have been the year's grossest cinematic moment, into something that's as disturbing as it is oddly poetic. But it is not representative of the film as a whole, which mixes elements of film noir and moralist western, with a hint of '50s teen angst. It is one of a few good scenes that connect both visually and emotionally in a convoluted, excessive jumble...