Word: poeticize
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...Divine Comedy by Dante Alighieri. Translated by Thomas G. Bergin, with illustrations by Leonard Baskin. 867 pages. 3 vols. Grossman. $75. A Dante scholar and professor of Romance languages at Yale offers a translation that tries to stay faithful to Dante's poetic rhythms but wisely avoids any attempt to match his terza rima rhyme scheme. As in many translations of classics, there are disquieting changes in well-known lines. Gary's familiar 1814 "All hope abandon, ye who enter here," for instance, becomes "Bid hope farewell, all ye who enter here." It may be more reflective...
...seemed so ambitions and exhilarating at first. Soon, however, this certain in group of Harvard student poets found itself also sharing vocabulary, mannerisms and a whole poetic sensibility. For awhile we all wrote poems about our depressions and called it "the drifting, fading and languishing school." Then we wrote liberal poems about our childhoods and families (discreetly calling it nothing but knowing in our hearts that it was "the Life Studies school.") An occasional tic of style would distinguish one of us from the others-and the style was good, don't get me wrong, competent and finished...
Destiny's child and Beaver's buddy met in 1964?smack in the poetic middle of Sunset Strip. It was business at first sight. As Raquel recalls it: "He saw me and I saw him, and we put our heads together." The result of this cerebral huddle was the creation?three weeks later?of Curtwel enterprises. Shortly thereafter, things began to happen. Bikini picture in LIFE. Billboard girl on ABC-TV's Hollywood Palace. Twentieth Century-Fox contract. Said Fox Talent Director Owen McLean: "We thought we would build her up slowly; that it would take some time...
...sluggish excursions into beauty and truth" which characterized the epoch between the Wars, to Bly's annoyed proclamation in 1953 that MOST OF THE POETRY PUBLISHED NOW-A-DAYS IS OLD FASHIONED. The Advocate vacillated between innovation and a nervous caution. A reaction in the fifties against the poetic domination of Eliot was expressed by Peter Viereck in a parody of Prufrock: "Today the women come and go Talking of T.S. Eliot." Jonathan Culler, in his introduction to the Centennial Anthology, described a magazine that had "stayed Georgian ten years too late during the poetic ferment of the twenties...
This one-acter, written by Leonard Melfi, difiers radically in feel from the other two plays. It is one further step removed from what we call naturalism and hardly seems to be taking place on earth. It is essentially not a comedy, and the language operates on a fantastical poetic level that is closer to the cosmos than the nitty-gritty of American life...