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...particularly in the final scene. When Hamlet finally kills Claudius, after prancing about with Laertes in their respective chest wigs, he does it as if cut from the same cloth as "Flash Gordon." Throwing his rapier from the balcony like a javelin, Hamlet pins Claudius to his throne (note: poetic justice) and swings down on the chandelier in order to splash drops of poison into his mouth, all the while bellowing about his impending death, the stellar revenge he has enacted, and his chest hair. (Well, not really, but Hamlet's expression shows he's thinking about...

Author: By Whitney K. Bryant, | Title: Branagh AND THE BEAST | 1/30/1997 | See Source »

...Cult of Moral Grayness," Rand deconstructs the logic of those who assert life is more gray than black and white: "If there is no black and white, there can be no gray--since gray is merely a mixture of the two." How perfectly poetic! How superbly simplistic! (Rand must have been exempt from Lit. & Arts A.) Try mixing yellow, blue and red, my dear...

Author: By Chris H. Kwak, | Title: Critique of Pure Nonsense | 1/30/1997 | See Source »

...pockets. After taxes, his royalties would have stuffed his pockets with something like $300,000--the amount of his fine. Maybe he should hand it over. If nothing else, it would prove that even when you can't count on the rule of law in Washington, there's always poetic justice...

Author: /time Magazine | Title: PAYING THE PRICE | 1/27/1997 | See Source »

...central performance. "Spuming his lines with catarrhal intakes of breath punctuating the bolts of rhetoric, Branagh is a whiz at making the poetry colloquial and intelligible; he spits out the 400-year-old verse like a rapmaster," says Corliss. "But he can't so easily make it poetic. What's lacking in this merchant of culture is Olivier's danger, the preening beauty and sweet delirium that makes an actor a star. Those are precisely the qualities that keep this admirable ?Hamlet? -- and ?Hamlet? -- from being a thrilling...

Author: /time Magazine | Title: Weekend Entertainment Guide | 1/3/1997 | See Source »

...died in Paris, attended by his longtime love Catherine Deneuve and their daughter Chiara. But Marcello Mastroianni's compatriots would not let the actor known as "the face of Italy" pass into memory without a poetic farewell. So just after sunset on the day he succumbed, at 72, to pancreatic cancer, his wife Flora stood with the mayor of Rome and 500 other mourners at the Trevi Fountain, into whose waters Anita Ekberg had lured Mastroianni in the famous scene from Federico Fellini's 1960 La Dolce Vita. Now the lights faded, the water from the Neptune statue stopped...

Author: /time Magazine | Title: MARCELLO MASTROIANNI (1924-1996): Imperfect, Irresistable | 12/30/1996 | See Source »

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