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...shared devastation that followed Lennon's death had the same breadth and intensity as the reaction to the killing of a world figure: some bold and popular politician, like John or Robert Kennedy, or a spiritual leader, like Martin Luther King Jr. But Lennon was a creature of poetic political metaphor, and his spiritual consciousness was directed inward, as a way of nurturing and widening his creative force. That was what made the impact, and the difference-the shock of his imagination, the penetrating and pervasive traces of his genius-and it was the loss of all that...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...greater losses than these occurred through indifference and neglect. In ancient Rome, which abounded in male poets from Livius to Virgil, an entire poetic culture was wiped out because the writings of women were not esteemed enough to be copied and preserved. The lone female survivor of the Latin classical period is Sulpicia (1st century B.C.) whose known corpus consists of six poems...

Author: /time Magazine | Title: Books: A Room of Their Own | 12/22/1980 | See Source »

...nation that ached for its own literature, Whitman contributed a poetic miracle, though not everyone at the time embraced him or his work with the same adulation as the well-established Emerson. In fact, many dismissed Leaves of Grass as an immoral book. Whitman himself never seemed entirely satisfied with the controversial collection, which he said allowed him to sound his "barbaric yawp over the roofs of the world...

Author: By James L. Cott, | Title: America's Gentle Giant | 12/17/1980 | See Source »

...made by women that draws some of its poetic content from the image of the vagina. What makes Chicago's work unusual in this context is not the quality of her vision but the simplicity of her fixation. Perhaps one should imagine the case with the sexes reversed: a male artist decides to do a homage to macho history, from God the Father to Mahatma Gandhi and Frank Sinatra-all represented by china penises, propped up by quantities of Laurentian burblings about roots, darkness and the archetypal perceptions of the blood. Who, today, would take such an effusion seriously...

Author: /time Magazine | Title: Art: An Obsessive Feminist Pantheon | 12/15/1980 | See Source »

Brenton's game attempts to show just what that does mean have been scorned for political superficiality and shortsightedness. But Brenton's presentation is not meant to hold up in Parliament; it is a metaphorical point whose truth is poetic. The ruckus has little to do with such niceties of debate, however. It centers on the generous amounts of sex and violence with which The Romans was staged. Bad enough, for fainthearts in the audience, that the first act contains a lynching, a throat cutting and assorted acts of bloody roughhouse. It also features three Celts bounding around...

Author: /time Magazine | Title: Theater: Romans in the Gloamin' | 12/8/1980 | See Source »

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