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Word: poeticizes (lookup in dictionary) (lookup stats)
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...both form and sensibility, as evidenced by their inability to capture the immediacy and disjointed folly of this most foreign of American wars. Now Herr's book was something else, and they called it everything imaginable: rock 'n' roll reporting; a personal journal; a transcript of the "mad-pop-poetic/ bureaucratically camouflaged language in which Viet Nam was lived...

Author: By Fred Setterberg, | Title: DITCH DIGGERS | 9/18/1980 | See Source »

...Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

...Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...Belgian insane asylum recalls the charming ballet of war in King of Hearts. Fuller's use of music and symbols is again heavy-handed and the sequence ends with a madman firing a machine gun with berserk glee and shouting, "I am sane, I am sane," but poetic camera movement and a sense of humor, even about death, make the scene more than just another "Who's-really-insane?" routine...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/8/1980 | See Source »

...somewhat ungainly but poetic Siberiada (1979), directed by Andrei Mikhalkov-Konchalovsky. The Soviets have lost neither their taste for, nor their skill with, the epic historical drama. Siberiada traces the history of an obscure Siberian village from snowbound primitivism and isolation at the beginning of this century through war and revolution, to the discovery of a great oilfield in the late '60s. Like Dovzhenko before him, Mikhalkov-Konchalovsky has a way of linking a peculiarly Russian feeling for the sacredness of native ground with the developing force of the revolution...

Author: /time Magazine | Title: Cinema: Movies for the Masses | 6/23/1980 | See Source »

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