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...Yale School of Drama, Brustein and his colleagues developed a three-year, building-block curriculum in which students progress from the study and practice of poetic realism (Chekhov, Ibsen) to Shakespearean verse-speaking with increased physical stylization, to the total vocal and physical stylization demanded by the post-modernists (Brecht, Beckett, Handke). Along the way, students are gradually mixed into Yale Repertory productions, beginning as spear-carriers and moving up to understudy positions and major roles. Another innovation was the creation of two majors: Theater Management and Dramatic Criticism. The latter included courses in "Dramaturgy," the graduate acting...

Author: By David B. Edelstein, | Title: A Brustein Portrait | 12/9/1978 | See Source »

Meantime, the planets silently whirl and the stars blaze and die . . . Marc Simont's lithographlike drawings subtly evoke a dreamscape, and Karla Kuskin's poetic narrative has the concentration of an odyssey compressed to the size of a parable...

Author: /time Magazine | Title: Books: A Rainbow of Colorful Reading | 12/4/1978 | See Source »

...gourmet, he writes lovingly of bananas, "the humblest fruit," but with their comprehensive range of minerals and protective germ-battling skin, a near perfect food. He delves into history to recount the tale of garlic (the early Greeks and Israelites learned about it from the Egyptians). He waxes more poetic about apples, rejecting the notion that this was the fruit forbidden to Adam and Eve. "The apple-the apple I know, the apple of country cider and the autumn roadside bushel-would be out of character in so sinister a role...

Author: /time Magazine | Title: Books: Journeys | 11/27/1978 | See Source »

...stars are Jane Fonda, James Caan and Jason Robards. The director is Alan J. Pakula (Klute, The Parallax View, All the President's Men), a major cinematic stylist who works equally well with actors and ideas. Cinematographer Gordon Willis (The Godfather, Interiors), though overly enraptured with the poetic uses of shadows, is one of the top craftsmen in American movies. There's only one wild card in this impressive pack: first-time Screenwriter Dennis Lynton Clark. His script is dry, but that does not absolve his colleagues from the responsibility of juicing...

Author: /time Magazine | Title: Cinema: The Tame West | 11/6/1978 | See Source »

There is a little poetic embellishment to the above scene, but it is pretty close to the picture of how-things-might-have-been that emerges from the relaxed mind of Gerald Ford, ensconced last week at the edge of Thunderbird's glorious fairways in Palm Springs. If he had been elected two years ago, Ford goes on, he would have kept the B-l bomber moving, gone ahead with the neutron bomb and the M-X missile. He also would have had less trouble than that fellow now in the White House in getting a Panama Canal treaty...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: In Jerry's Crystal Ball | 10/16/1978 | See Source »

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