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...Life. Can it be better achieved at court or in the country? Or is place ultimately irrelevant? Should we be content with the "real" world or espouse the pursuit of an idealized pastoral existence? And how can romantic love best function? In the tradition of the medieval and Renaissance poetic contests (such as the debat, disputaison, tenso, and conflictus), the play's cast becomes something of a debating society, and the text is filled with double-entry bookkeeping. This is, then, a highly literary play as well as a highly artificial one. It is also eminently lyrical, although nearly...

Author: By Caldwell Titcomb, | Title: 'As You Like It' in a Forest Without Green | 8/6/1976 | See Source »

...Georgia, with a number of exploratory side trips in between. Although the scientific descriptions in his journals can make for dull reading-some entries are mere lists of as many as 57 plants with Latin names-Bartram brings to his work keen powers of observation as well as a poetic, almost rhapsodic sensibility. When he sees a wild turkey, for example, he writes that it is "a stately beautiful bird, of a very dark dusky brown colour ... edged with a copper colour, which in a certain exposure looked like burnished gold, and he seemed not insensible of the splendid appearance...

Author: /time Magazine | Title: Environment: Wonders of the Wilds | 7/4/1976 | See Source »

...show is that, in practice, "fighting for freedom" means making people you support look good, and those you dislike look bad. Actually, the most interesting parts of your book are the introductions to each interview, in which you describe your perceptions of the character. These descriptions are sensitive and poetic, especially when the interviewee is someone you liked, or admired: Golda Meir, Dom Camara, Alexandros Panagoulis--people you can portray as heroic. But these sections of the book are also those where you type of journalism reveals itself for what it is: fiction. Each of the 14 people in Interview...

Author: By Eleni Constantine, | Title: A Monologue With History | 5/24/1976 | See Source »

...works of Dawn Kramer and Judith Chaffee Black are well-crafted, polished statements. Both choreographers steer clear of the dangerous gap between conception and realization haunting Gray's work. Yet neither compacts the poetic suggestiveness of Soll. Kramer's "Notion" is a slick dance to a slick song, picking up its title from Billie Holiday's croon, "If I should take a notion to jump into the ocean, ain't nobody's business if I do." Kramer uses her own slinky way of moving to draw the sinuous lines of Holiday's lament. At one point she cooly trails...

Author: By Susan A. Manning, | Title: At the Still Point | 5/18/1976 | See Source »

...Sexton felt that her poetic skills were failing. Contrary evidence is sprinkled throughout this posthumous collection...

Author: /time Magazine | Title: Books: American Poetry: School's Out | 4/26/1976 | See Source »

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