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SHAKESPEARE WALLAH. The sunset of colonialism in modern India colors a wry, wistful and poetic film by U.S. Director James Ivory, who delicately explores a love triangle among a young man (Shashi Kapoor), a native film star (Madhur Jaffrey), and an ingenue (Felicity Kendal) touring the provinces with an English Shakespeare troupe...

Author: /time Magazine | Title: Television: Apr. 1, 1966 | 4/1/1966 | See Source »

...thaler, the German currency at the time of the American Revolution. The British pound was named for its weight in silver, and nationalistic France naturally named its money the franc. Last week Zambia announced that it would soon trade in its pounds, shillings and pence for something more poetic. In 1968 it will change to decimal currency and one kwacha (dawn) will be worth 100 ngwee (brightnesses...

Author: /time Magazine | Title: Zambia: How Bright the Dawn | 3/18/1966 | See Source »

HARRY BELAFONTE heard Nana Mouskouri, 28, singing in a supper club outside Athens and brought her to the U.S. to tour and record with him some Songs from Greece (RCA Victor), with folk lyrics but melodies mostly by Manos (Never on Sunday) Hadjidakis. Greek is a poetic language of love for Belafonte's mellifluous voice (In the Small Boat, Walking on the Moon). Mouskouri adds some dreamlike songs about freedom (The Town Crier, The Baby Snake...

Author: /time Magazine | Title: Television: Mar. 4, 1966 | 3/4/1966 | See Source »

This latest Giulia joins a line of 14 other models, many of which can be described by one poetic company slogan: "The Wind Designed Them." Under the wind-blown look are engines that can leave most other cars far behind.* The expensive 2600 SZ model (price $6,695) speeds up to 131 m.p.h. Most other Alfa-Romeos easily top 100 m.p.h.; the somewhat sedate Ghilias are modestly rated at "over 96 m.p.h...

Author: /time Magazine | Title: Italy: Romeo's Sweet Giulia | 3/4/1966 | See Source »

...strict morality of their parents. The central figure is Melchior (Howard Cutler), an intelligent young man who does not know what to make of his maturity. It leads him to questioning, and to atheism, where his friend Moritz (Toby Hurd) passes through posture after self-pitying posture spilling forth poetic gibberish out of nervous excitement until at last he is led to suicide. Wendla (Lisa Kelley) has an uncontrollable desire to be mistreated by Melchior, and a mother who still talks to her about the stork...

Author: By Donald E. Graham, | Title: Spring's Awakening | 3/4/1966 | See Source »

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