Word: poeticizing
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...hardware-oriented genre with emotional immediacy, much as Ray Bradbury's haunting tales once brought a Midwest folksiness to the future. The Lathe of Heaven (1971) imagines the year 2002 and a hero whose dreams become reality. Along with the fantasies, Le Guin textures her tales with poetic leaps. When a jellyfish is flung on the beach, she writes, "What will the creature made all of seadrift do on the dry sand of daylight; what will the mind do, each morning, waking?" Like many contemporary women authors, Le Guin, married with three grown children, is not an amateur...
...risk, I want to dare. It's like making love. The act is always the same, but each time it's different." But some things were consistent. His Chopin-and he was peerless in Chopin-was strong-willed and large-boned, robust and masculine, yet sensitive and poetic. His Brahms was as hearty, bluff and ruminative as the composer himself. Rubinstein played Spanish music with the brio of a native (Spain was one of his favorite countries), and Impressionist music like a born Frenchman. Perhaps that was to be expected from a man who seemed at home everywhere...
...easier to understand Lowell's break with strict meter when Hamilton includes an excerpt from his Life Studies and describes the conflict many mid-20th century poets faced. The dissolution of conventional poetic form and style following World War I was perhaps the single greatest phenomenon in modern literature. It posed a critical problem for poets like Lowell: whether to jump into the newly opened vista by discarding form, carrying T.S. Eliot's innovations one more step, or to make poetry more powerful by struggling with a fixed meter. Lowell, who had trained himself to write in regular meter, finally...
...adolescence two strains appeared. Young Lowell abandoned the purely physical world of football and fighting and became a fanatical reader, of Job, of Shakespeare and then of any poetry he could find. He also began to exhibit signs of manic depression. Both aspects showed in his pursuit of a poetic career; in 1937 he journeyed to Vanderbilt University outside Nashville to visit his idol, Allen Tate. He pitched a tent on the poet's lawn for three months...
...makes a good stab, though. Like a student who hasn't done the week's reading but tries to answer a question in section, Axinn grabs onto broad, oft-used poetic ideas--like the wind, or the poet--and tries to surround the images and vignettes in a cloud of meaning. The result is little more than a patch of ground...