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...selected poems provides an opportunity to take a retrospective look at his greatest works—recipients of decorations from the National Book Award to the Pulitzer Prize—from the past few decades. The book gathers Hass’s first five collections of poetry??“Field Guides,” “Praise,” “Human Wishes,” “Sun Under Wood,” and “Time and Materials,” and also includes a modest 40-page collection...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: ‘The Apple Trees at Olema’ Displays Poet Hass’s Scientific Eye | 4/6/2010 | See Source »

Ezra Pound once declared that to write free verse was “to compose in the sequence of the musical phrase, not in sequence of a metronome.” Free verse has become one of the dominant styles of poetry??encompassing the long rhythmic lines of Allen Ginsberg and the short, understated verse of current Poet Laureate Kay Ryan. Amid this prevalence of fluidity in poetic style, “Mean Free Path,” Ben Lerner’s third book of poetry, stands out in its reactionary innovation. “Mean Free...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

Associate professor Stephen L. Burt is well known among English students for his unique course on science fiction. His recent book “Close Calls with Nonsense: Reading New Poetry?? was nominated for the National Book Critics Circle Award...

Author: By James K. Mcauley and Julia L Ryan, CRIMSON STAFF WRITERS | Title: English Department Adds Professors | 2/5/2010 | See Source »

Burt, a poetry writer and scholar by profession, has taught such English department staples as “Modern American Poetry?? and “Major British Writers II” since arriving at the university in 2007. But he is also a longtime student of science fiction. Once a childhood reader of Robert Silverberg, Ursula K. Le Guin, and Isaac Asimov, he now writes course syllabi and critical articles on the genre...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: Taking Sci Fi Into the Classroom | 12/4/2009 | See Source »

...wrote, “it were as wise to cast a violet into a crucible that you might discover the formal principles of its color and odor, as to transfuse from one language into another creations of a poet.” What the poet is communicating here is poetry??s fascination with presentation, its syntax, sound, rhythm—aspects that depend on its language of origin—so that there is an almost absurdly destructive quality to any translation. Though its semantic meaning can hold, translation risks the utter loss of all emotional register. This...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Revisiting Rilke's Translations | 11/10/2009 | See Source »

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