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...film shifts gears with the introduction of Neshe Yasin, a Turkish woman poet who delivers a poignant Proustian reverie on a village from her childhood called Peristerona. Yasin's recherche du temps perduis the most explicit instance of the film's obsession with the question of memory. All the film's participants are intent on memory, remembering what was lost and the crimes committed by both sides. The film implies that the future of Cyprus depends in part on whether people can move beyond the memory of crimes, injustices and mutual recriminations...

Author: By Joel VILLASENOR Ruiz, | Title: Cyprus Up Against the Wall of Ethnic Conflict | 12/1/1994 | See Source »

...their roles with aplomb. They render their relationship as brother and sister instantly believable; the various strains Anna's disease and her promiscuity put on this relationship are conveyed with delicacy and subtlety. Their rapport, especially when they reminisce about their childhood closeness, rings touchingly true, and is especially poignant in a play dedicated to Vogel's own lost bother. But Carl and Anna are neither melodramatic nor cliched. Amid the kaleidoscopic, surreal happenings of Vogel's plot, one never loses a sense of these characters' essential normality and love for each other...

Author: By Joyelle H. Mcsweeney, | Title: Waltz with Death | 11/17/1994 | See Source »

...Tennessee Williams, William Inge and Edward Albee, addressed homosexual themes, it did so in the metaphorical closet. The modern gay writer can address his dreams and demons directly; and in the aids plague, he has a suitable subject for domestic tragedy. Today the gay sensibility -- acerb, lusty, nostalgic, poignant -- dominates high drama and low comedy...

Author: /time Magazine | Title: THEATER: Les Formidables | 11/14/1994 | See Source »

Though moments like these frustrate the viewer, the last scenes save The Wombs of Angel Street, In his final monologue, Gordon promises that next time, "we won't have any death, any causality, only magic" and provides some poignant musings on the nature of providence and love...

Author: By Daley C. Haggar, | Title: An Angel at the Type writer | 11/10/1994 | See Source »

Probably because it's been postmodernized. Previously Terry (Annette Bening in the new version) was a virgin, perkily defending that status while the threat to her innocence, Mike the Playboy (Warren Beatty), was shadowed by Catholic guilt about his careless ways. (Remember those poignant visits to his wise old auntie's chapel?) These scruples served two functions: they heated up forbidden desires, and they gave a certain bent logic to the three-month hiatus the couple imposed on their affair, ostensibly to shed other commitments, really for the chaste contemplation of this one's radical implications...

Author: /time Magazine | Title: CINEMA: Oh, Forget It | 10/24/1994 | See Source »

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