Word: poignant
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Comic books can be beautiful. Not just beautiful like touching, sad or poignant - though they can be all those things - but beautiful like an object. This may sound peculiar to some, and understandably so. Comics began as disposable entertainment. Investing the everlasting qualities of beauty into them would have been a waste of time. Only in the last twenty years, particularly these past five or so, have creators begun to explore the idea of the comic as a thing of beauty. With just a little care they can combine art, design and language into an orgiastic menage-a-trois...
...virtually disappeared after creating "Here," a singular, diamond-like piece of brilliance almost fifteen years ago. The funniest piece belongs to Joe Matt, who's autobiographical "Toronto, Ontario. Canada" details his obsessive onanism and general poor living with horrifying candor. The breakout "unknown" artist is David Heatley, who provides poignant and funny vignettes of his father in "Portrait of My Dad." Other contributor are a who's who of indy comix: Lynda Barry, the Hernandez Brothers, Adrian Tomine, Julie Doucet, Dan Clowes, Art Spiegelman...
...Daykin, Fisher and artistic directors Walter Bobbie, Kathleen Marshall and Jack Viertel - look for semi-legendary shows that (1) were written by one of the premier composers; (2) boast a lush score, preferably with a few standards; (3) have a libretto that today is either amusingly anachronistic or lingeringly poignant; (4) offer strong roles to either contemporary musical theater stars or star-is-born kids; and (5) haven't received full-dress Broadway revivals in decades. The ideal musical, by these criteria, is Rodgers and Hart's 1937 "Babes in Arms." The show's melodic bounty still astonishes: "Where...
...When" and the audience joined in, dreamily humming along and swaying in unison... The chorale rendition of "Stout-Hearted Men" from "New Moon," which had the crowd stomping and singing along... Another male chorale, "Some Girl Is on His Mind" from "Sweet Adeline" - a rendition so pure and poignant that, for a moment before the cheers broke out, it left the City Center crowd in silent rapture...
...Cheung, at least, was there to receive her prize. The Best Actor was not. He was back home, in Tokyo, taking exams at his junior high school. At 14, Yuuya Yagira, star of Hirokazu Koreeda's poignant real-life fable Nobody Knows, is the youngest recipient of the award, and he deserved it. He plays the eldest of four children abandoned by their mother and left to survive without a social safety net. They do so with a calm, desperate resourcefulness that implicitly condemns Japan's welfare system and makes it clear that, in this family, the younger generation...