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...formulaic album, such a triumph. Cornelius is so good at regulating the give-and-take of his layered compositions that, rather than coming off as stiff and mechanical, they sound alive, constantly in motion. From a simple repeated-riff and sampled voice motif, “Point of View Point?? blossoms effortlessly into a sparkling summertime anthem. “Another View Point?? is a hypnotic, escalating pattern of electric guitar squeals. “Nowhere,” all weepy horns and crashing waves, is a swirling brew of post-honeymoon nostalgia. But while most...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 2/8/2002 | See Source »

...Point??s greatest accomplishment is that it defies easy categorization. Cornelius’ unaffected approach to his music lets him stand in a privileged position outside genre boundaries, free to grab whatever suits him, looping and tweaking it to fit into his grand framework of sound. The result is catchy yet structureless, informed by decades of pop music but empowered by technology: Post-pop, perhaps? Until his imitators inevitably arrive, Cornelius will remain a fascinating, utterly original figure. Rating...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 2/8/2002 | See Source »

...response to Decker’s criticisms, Sullivan called the committee a “starting point?? and said he does not rule out the possibility of a more inclusive committee in the future...

Author: By Stephanie M. Skier, CRIMSON STAFF WRITER | Title: New City Body Will Focus On Universities | 1/30/2002 | See Source »

Carswell’s further discussion of the O.A. is quite to the point??he himself realizes its superiority to any E., however A. His illustration includes one of the key “Wake Up the Grader” phrases—“It is absurd.” What force! What gall! What fun! “Ridiculous,” “hopeless,” “nonsense,” on the one hand; “doubtless,” “obvious...

Author: By An ANONYMOUS Grader, | Title: A Grader's Reply | 1/14/2002 | See Source »

...surprise to see them open and close with duets (“On the Blvd.” and “The Wash,” respectively). The beats are little more than standard, low-riding West Coast funk, but that’s not the point??Dre and Snoop are rap’s dynamic duo, and they have developed the Midas touch. The guest cuts are no less impressive, from Busta Rhymes’ “Holla” to Bubba Sparxxx’ Southern-fried extravaganza “Bubba Talk...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

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