Word: pointed
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Dates: during 1990-1999
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...R.E.M.'s first film score, and it's pretty good--some of their most delicate, beautiful work is here, though the sadder bits get a little melodramatic. The highlight of the album is "This Friendly World," with Michael Stipe and Jim Carrey trading off on vocals and at one point singing every other word; it will be interesting, to say the least, to see how this kooky number fits into the film. Man on the Moon is a must-have for die-hard R.E.M. fans; overall, it's a pleasant little hodge-podge with a few standout songs...
...starkest voices, the power of the remix is to transform. Starting from the base of Faithless' sophomore album Sunday 8 PM, the recently released Special Edition includes, in addition to the original, a companion Saturday 3 AM disk chock full of remixes. Sunday 8 PM occupied a unique point in Faithless's eclectic style from grand house music to funky pop, but was certainly much more of a success in Europe, where the British group resides, than Stateside. Only "Insomnia" from their first album Reverence has made much of an impact. Unfortunately, the Special Edition may end up facing...
Skinner's recent auction of movie posters from the silent film era onwards, and the huge popularity of that auction, proves that point especially. The world of Clark Gable, Gone with the Wind, James Cagney and Marilyn Monroe, all seem to go back to a time when going to the movies was special and every star was precisely that - an untouchable, demi-god like star...
...Skinners recent auction of movie posters from the silent film era onwards, and the huge popularity of that auction, proves that point especially. The world of Clark Gable, Gone with the Wind, James Cagney and Marilyn Monroe, all seem to go back to a time when going to the movies was special and every star was precisely thatan untouchable, demi-god like star...
...arrangements of this spacing material form the almost invisible choices of margin and indentation--these are the most crucial work of the printer. As Hulsey puts it, in setting a line of a poem the difference between its looking right and looking wrong is sometimes less than half a point. A few assembled stanzas laid out this way glimmer like distant, crowded constellations. Then the cylinders, wheeled into action by the big arm-crank, roll across the runway of the text, inking the letters and catching up a page in the flight of its own making...