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...most striking chapters is “Boston: Democracy as a State of Mind,” in which Damrosch recounts Tocqueville’s run-ins with Boston bluebloods and intellectuals, who were more like French aristocrats than any Americans that he had met up to that point. Between his discussions with intellectuals and civilians that he met on the streets, Tocqueville became aware of the distinct separation between the letter of the law and the spirit of the law in America. He concluded that the “habits of the heart” and the ideals...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Damrosch’s Rediscovery of Toqueville’s Vision of America | 4/13/2010 | See Source »

...rational process of intellectualization, which is to say, of the comparison of phenomenon to idea, which is a process too slow for the hunt.” The connection he draws between the theater and the primal rings true, even if the analogy he uses to explicate his point is a bit overwrought...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...whining violins and jittering electronics, ensuring lyrics like “You’ll really want to grow and grow till tall / They all, in the end, will fall” never sound fatalistic. Far from undermining the album’s generally buoyant mood, this emotional low point makes the more hopeful track that follows it, “Hengilás,” all the more cathartic...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Jónsi | 4/13/2010 | See Source »

...playful. “Go” still feels like an Icelandic record, but perhaps it reflects an Iceland feeling the effect of global warming. Jonsi has created an undoubtedly ambitious work that stretches the definition of “pop” to its very breaking point, but its unabashed optimism and the simple beauty of the music make it a thoroughly enthralling album...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Jónsi | 4/13/2010 | See Source »

...tracks. “Brian Eno” is mainly a frantic, devoted, yet questionably-framed ode to the British producer and composer. Something about the song’s tribute just doesn’t quite add up. The song’s conventional structure at one point gives way to a 20-second music hall-esque bridge where Eno’s name—complete with all nine of his middle names—is chanted in a strikingly devotional, and creepy, manner. And is the figure described by the lyrics actually not all he?...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: MGMT | 4/13/2010 | See Source »

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