Word: poisoner
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...mass culture takes a watchful adult. Things that merely amuse a grownup can injure a child, whose brain undergoes a powerful development surge before age 14. "Parents don't understand that taking a four-year-old to True Lies--a fun movie for adults but excessively violent--is poison to their brain," says Michael Gurian, author of The Wonder of Boys...
...Clinton was powerful enough--to create a "hostile environment." Her lawyers will have a hard time finding cases that build a precedent for the single-incident theory, but it is embedded in the harassment guidelines of the U.S. Equal Employment Opportunity Commission: "a single unwelcome physical advance can seriously poison the victim's working environment," they say. Is a poisoned environment a hostile environment? That's up to a jury...
...Government Center T station, racing to catch a blue line train to the airport on my way home for Christmas break, when I caught these few lyrics of Poison's classic 1988 power ballad. I hadn't heard the song in at least five years, and memories of the turn of the decade came flooding back--memories of the transition from the carefree days of elementary school to the real world of junior high, from the trusty '80s to the blank slate...
...last big year for the power ballad was 1990, when big-haired Warrant hit it big with the brash "Cherry Pie"; Poison returned with the sadder "Something to Believe In"; Heart, one of few female bands in the power ballad business, released "Stranded"; Ted Nugent's Damn Yankees proved they had the genre down with the top 10 hit "High Enough"; Winger's second album sold millions on the strength of the forgotten "Miles Away," and the Nelson twins teamed up to bring us "Love and Affection" and "After the Rain...
...post-war recession of the early '90s, so too did arena rock fall off the map. Nirvana stormed the music scene in 1991, bringing Seattle grunge to the rest of the country and making alternative suddenly mainstream. By 1993, Winger, Damn Yankees and Bad English had disbanded, and Warrant, Poison and Nelson had fallen off the map entirely. Pushing them aside were bands like Pearl Jam, the Stone Temple Pilots, Soundgarden and the Smashing Pumpkins, turning the airwaves from a place of possibility and power--where our average triumphs were transformed into something greater--into one of alienation and anger...