Word: poitiers
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...finding young actors and locating their emotional acuity. Mulligan directed Paul Newman in his second TV appearance (Suspense, 1952), and three years later in the Vidal TV play The Death of Billy the Kid, which Newman replayed on the big screen as The Left Handed Gun. Steve McQueen, Sidney Poitier, Walter Matthau, Rosemary Harris and George C. Scott did potent early TV work under his guiding hand. Scott made his Broadway debut in the only play Mulligan directed, the 1958 Comes a Day. He was no slouch with veterans either, winning an Emmy in 1960 for directing Laurence Olivier...
...were nominated for a Best Actor Oscar alongside Sidney Poitier for The Defiant Ones. Are you peeved that you never got more respect from the Academy?There were other pictures I made-I don't want to complain-but I feel in my heart that there were other performances I gave that could have easily been nominated. And now that won't ever happen. I'm not doing any movies, and I'm not going to find a movie that's going to be nominated for any awards. So, my dear friends, I sit around in Vegas, with a beautiful...
...Hayes' theme - for the proto-blaxploitation policier than helped yank Hollywood's depiction of African-American males from the sanctity of Sidney Poitier into the grittier image of the stud male who rules the streets with a sizzling machismo - was a cunning mix of wocka-wocka percussion, soaring violins, a sassy girl group whispering the hero's name as if it were a phallic deity and, anchoring it all, the basso talk-singing of the studly composer. "Who's the black private dick / That's a sex machine to all the chicks?" Girls: "SHAFT!" Hayes: "Ya damn right!" Hayes: "They...
...Like Humphrey Bogart, Widmark started in movies as a thug and only gradually graduated to hero status. He was a murderously jealous cafe owner in Road House and a racist punk, spilling out vile epithets to noble young black doctor Sidney Poitier, in No Way Out (where he has a wonderfully sniveling final scene). Sam Fuller cast him as the pickpocket in the memorably lurid Pickup on South Street. Sometimes he was the lowlife who found someone even lower, as in Don't Bother to Knock, where he gets tangled with crazed babysitter Marilyn Monroe...
Smith's role as a slick young con man claiming to be Sidney Poitier's son in the 1993 drama Six Degrees of Separation turned some heads. But it was the cheerful, over-the-top 1995 action film Bad Boys that established the erstwhile Prince as a box-office royal in the making. Since then, he has consistently delivered hits, most often as a good-natured guy saving the rest of us from the trauma of aliens, robots, crooks or poor dating habits. Commercial disappointments, like the golfing flop The Legend of Bagger Vance, are rare. "I look at movies...